Curriculum Vitae

Filipa Martins Baptista Lã

Data da última atualização »Last update : 09/10/2017


Filipa Martins Baptista Lã. Concluiu Performance Studies Singing - University of Sheffield em 2006. É da Universidade de Aveiro. Publicou 24 artigos em revistas especializadas e 15 trabalhos em actas de eventos, possui 4 capítulos de livros publicados. Possui 158 itens de produção técnica. Participou em 41 eventos no estrangeiro e 42 em Portugal. Co-orientou 1 tese de doutoramento, orientou 9 dissertações de mestrado e co-orientou 5 nas áreas de Ciências da Educação, Artes e Ciências da Saúde. Recebeu 7 prémios e/ou homenagens. Entre 2006 e 2007 participou em 1 projecto de investigação. Actualmente participa em 1 projecto de investigação. Actua nas áreas de Humanidades com ênfase em Artes, Ciências Sociais com ênfase em Ciências da Educação, Ciências Sociais com ênfase em Psicologia e Ciências Médicas com ênfase em Ciências da Saúde. Nas suas actividades profissionais interagiu com 73 colaboradores em co-autorias de trabalhos científicos. No seu curriculum DeGóis os termos mais frequentes na contextualização da produção científica, tecnológica e artístico-cultural são: Singing, Voice, Performance, Teaching, Technology, Hormones, Female, Opera, Study e Contraceptive Pill.


Endereço de acesso a este CV:

http://www.degois.pt/visualizador/curriculum.jsp?key=0701516008540216


Dados pessoais (Personal data)
Nome completo
Full name
Filipa Martins Baptista Lã
Nome em citações bibliográficas
Quoting name
Lã, F.M.B.
Domínio científico de atuação
Scientific domain
Humanidades-Artes.
Ciências Sociais-Ciências da Educação.
Ciências Sociais-Psicologia.
Ciências Médicas-Ciências da Saúde.
Endereço profissional
Professional address
Universidade de Aveiro
Departamento de Comunicação e Arte
Inst. de Etnomusicologia - Centro de Estudos de Música e Dança - INET-MED
Centro de Estudos Sociais da Universidade de Coimbra
Coimbra
3004-535 Coimbra
Portugal
Correio electrónico: filipala@ces.uc.pt
Homepage: http://orcid.org/0000-0001-5560-7406
Sexo
Gender
Feminino»Female




Graus Académicos (Academic Degrees)
2002-2006 Doutoramento
Phd
Performance Studies Singing (4 anos » years) .
University of Sheffield, Reino Unido.
Instituição portuguesa que atribuiu reconhecimento/equivalência/registo » Portuguese Instituition providing acknowledgement/equivalence/registry : Universidade de Aveiro.
Com o tipo » With the type: Reconhecimento » Acknowledgement.

2001-2002 Mestrado
Master degree
Master in Performance Studies (MMus) (1 anos » years) .
University of Sheffield, Reino Unido.
Instituição portuguesa que atribuiu reconhecimento/equivalência/registo » Portuguese Instituition providing acknowledgement/equivalence/registry : Universidade de Aveiro.
Com o tipo » With the type: Reconhecimento » Acknowledgement.

1994-1999 Licenciatura
Licentiate degree
Biologia (ensino) (5 anos » years) .
Universidade de Coimbra, Portugal.





Formação complementar ( studies)
2006-2011 Pós-Doutoramento
Postdoctorate
6 anos » years. Universidade de Aveiro, Portugal.





Vínculos profissionais (Professional Positions)
Universidade de Coimbra
Mar/2016-Actual Outra Situação

Universidade de Aveiro
Jan/2014-Ago/2015 Professor Auxiliar

Universidade de Aveiro
Jan/2013-Ago/2015 Professor Auxiliar

Universidade de Aveiro
Jan/2012-Ago/2015 Professor Auxiliar

Universidade de Aveiro
Set/2010-Ago/2015 Outra Situação
Set/2009-Ago/2010 Outra Situação
Set/2008-Ago/2009 Outra Situação

Universidade Nova de Lisboa
Jan/2009-Ago/2015 Investigador Principal

Politécnico do Porto
Set/2007-Ago/2009 Outra Situação

Instituto Politécnico de Viseu
Set/2007-Ago/2009 Outra Situação

University of Sheffield
Jan/2006-Set/2006 Investigador Auxiliar
Jan/2001-Ago/2004 Leitor





Atividades de Investigação e Desenvolvimento (Research and Development activities)
Universidade de Aveiro
Set/2010-Actual
Linhas de investigação»Research fields:


Music Medicine


Music Performance


Performance Studies


Singing Pedagogy


Psychology of Music


Set/2009-Ago/2010
Linhas de investigação»Research fields:


Music Medicine


Singing Pedagogy


Music Psychology


Set/2008-Ago/2009
Linhas de investigação»Research fields:


Music Medicine






Atividades de Ensino (Teaching activities)
Universidade de Aveiro
Set/2010-Actual
Disciplinas lecionadas»Taught units:

  • Singing(Docente)
  • Singing Pedagogy(Regente)
  • Introduction to Music Psychology(Regente)
  • Psychology of Music Education(Regente)
  • Music Medicine(Regente)
  • Healthy Educational Practices for Musicians(Regente)
  • Research Methodologies in Music Education(Docente)
  • Specialization Projects(Regente)


Set/2009-Ago/2010
Disciplinas lecionadas»Taught units:

  • Singing(Docente)
  • Singing Pedagogy(Docente)
  • Introduction to Music Psychology(Regente)
  • Psychology of Music Education(Regente)
  • Music Medicine(Regente)
  • Healthy Educational Practices for Musicians(Regente)
  • Research Methodologies in Music Education(Docente)
  • Specialization Projects(Regente)


Set/2008-Ago/2009
Curso»Academic program: Música

Disciplinas lecionadas»Taught units:

  • Singing Pedagogy(Docente)
  • Introduction to Singing Pyschology(Docente)




Politécnico do Porto
Set/2007-Ago/2009
Curso»Academic program: Singing Teacher

Disciplinas lecionadas»Taught units:

  • Singing (undergraduate level)(Docente)
  • Vocal Technique (Master in Music Therapy)(Docente)




Instituto Politécnico de Viseu
Set/2007-Ago/2009
Curso»Academic program: Music Psychology

Disciplinas lecionadas»Taught units:

  • Psychology of Music in Music Education(Docente)




University of Sheffield
Jan/2001-Ago/2004
Curso»Academic program: Portuguese Language Conversational Level

Disciplinas lecionadas»Taught units:

  • Conversational Portuguese(Regente)






Linhas de Investigação (Research fields)
1. Music Medicine
2. Music Medicine
3. Singing Pedagogy
4. Music Psychology
5. Music Medicine
6. Music Performance
7. Performance Studies
8. Singing Pedagogy
9. Psychology of Music




Projetos de Investigação (Research projects)
Participação como Investigador
Participation as Researcher
2010-
Music and shared imaginaries: nationalisms, communities, and choral singing
Referência do projeto»Project reference: PTDC/EAT-MMU/117788/2010.


Outro Tipo de Participação
Other kind of participation
2006-2007
The effects of the oral contraceptive pill on the professional voice
Referência do projeto»Project reference: White-Rose Building Grant, UK.






Línguas (Languages)
Compreende
Understandig
Português (Bem), Inglês (Bem), Espanhol (Bem), Francês (Razoavelmente), Italiano (Pouco).
Fala
Speaking
Português (Bem), Inglês (Bem), Espanhol (Bem), Francês (Razoavelmente), Italiano (Pouco).

Reading
Português (Bem), Inglês (Bem), Espanhol (Bem), Francês (Razoavelmente), Italiano (Pouco).
Escreve
Writing
Português (Bem), Inglês (Bem), Espanhol (Bem), Francês (Razoavelmente), Italiano (Pouco).




Prémios e títulos (Awards Prizes, and Honours)
2014 Scientific Research in the field of Chorusology, Croatian Choral Directors Association and International Choral Institute, Zagreb, Croatia.
2013 Category Researchers – Internationalization of Scientific Production of Faculty of Social Sciences and Humanities (FCSH), New University of Lisbon, Santander Bank.
2011 Best Poster Award, The Voice Foundation, 40th Symposium on the Care of the Professional Voice, Philadelphia, USA.
2007 Young researchers Award, Conference on Interdisciplinary Musicology – Singing (CIM07). Music Conservatoire, Tallinn, Estonia.
2005 Best Postgraduate Research – SEMPRE, Performance Matters Conference, Polytechnic University of Porto. Institute of Education (ESE) Porto.
2002 The Postgraduate Presentation Award for the Best Poster, Division of Clinical Sciences South, The University of Sheffield, UK.
2015 Van Lawrence Award, The Voice Foundation and National Association of Teachers of Singing.




Membro de Associações Profissionais/Científicas (Professional/Scientific Association membership)
2014- Actual Pan-European Voice Conference (PEVOC) advisory board, Membro.
Permanent Member of the Pan-European Voice Conference (PEVOC) advisory board. PEVOC is an International conference on voice held over other 2 years at different European cities, embracing themes of Voice Health., Science and Pedagogy (both singing and speech).
2012- Actual IberoAmerican Association of Voice Science, Membro fundador.
2012- Actual National Association of Teachers of Singing (NATS), Membro.
2012- Actual International Undergraduate Programmes (Programa de Licenciaturas Internationais) in Music - DeCA, UA, Outros (especifique).
Supervise the students integration at the University; Monitor whether the learning agreement is adequate for the student’s level of expertise; Distribute instrumental/vocal tutors for each student; Monitor the students’ development.
2012- Actual ERASMUS Coordinator - DeCA, UA, Outros (especifique).
Students selection for the programme; Supervise in-coming and out-coming students and teachers; develop a network education system; establish bi-lateral learning agreements; evaluation equivalencies.
2009- Actual Company Opera North, Porto, Portugal, Membro fundador.
2008- Actual Portuguese Association of Performing Arts Medicine, Membro fundador.
Jan/2007 - Actual Institute of Ethnomusicology, Music and Dance (IMED), New University of Lisbon, Outros (especifique).
Integrated Researcher.
2003- 2005 British Voice Association, UK, Membro.




Produção científica, técnica e artística/cultural (Scientific, technical and artistical/cultural production)
Capítulos de livros publicados
Published book chapters
1. Lã, F.M.B.. 2014. Learning to be a professional singer.  In Advanced Musical Performance: Investigations in Higher Education Learning, ed. Papageorgi, I. and Welch, G.F., 265 - 286. ISBN: 978-1-4094-3689-8. Aldershot, Reino Unido: SEMPRE Studies in the Psychology of Music. Aldershot: Ashgate Press.
2. Lã, F.M.B.; Gill, B.P.. 2013. Physiology and its impact on the performance of singing.  In The Oxford Handbook of Singing, ed. G. Welch, D. Howard & J. Nix, 0 - 0. . Oxford: Oxford University Press.
in PRESS.
3. Lã, F.M.B.. 2012. Teaching Singing and Technology.  In Die Fachzeitschrift zu Paedagogik, Kunst und Physiologie von Stimme, Sprache und Gesang gemeinsam heraus egeben von Bundesverband Deutscher Gesangspaedagogen BDG und evta-austria bund oesterreichischer gesangspaedagogen, ed. Kammersaenger Sibrand Basa, 88 - 109. ISBN: 1861-065X. Nuernberg: Vox Humana.
4. Lã, F.M.B.. 2009. Biodental Engineering.  In Biodental Engineering, ed. Jorge Natal, Sónia M. Santos, João Manuel R.S. Tavares, Reis Campos & Mário A. P. Vaz , 169 - 175. ISBN: 0415573947. Reino Unido: Taylor & Francis Group, CRC Press.

Artigos em revistas com arbitragem científica
Papers in periodics with scientific refereeing
1. Lã, Filipa M; Sundberg, Johan. 2015. "Contact Quotient Versus Closed Quotient: A Comparative Study on Professional Male Singers", Journal of Voice 29, 2: 148 - 154.
2. Silva, A. G; Lã, F.M.B.; Afreixo, V.. 2015. "Pain prevalence in instrumentalist musicians: a systematic review", Medical Problems of Performing Artists 30, 1: 8 - 19.
3. Sundberg, J.; Lã, F.M.B.; Gill, B.P.. 2013. "Formant Tuning Strategies in Professional Male Opera Singers", Journal of Voice 27, 3: 278 - 288.
4. Sundberg, J.; Lã, F.M.B.; Himonides, E.. 2013. "Intonation and Expressivity: A Single Case Study of Classical Western Singing", Journal of Voice 27, 3: 391e1 - 391.e8.
5. Teixeira, Z.; Lã, F.M.B.; Silva, A. G. 2013. "Head and shoulder functional changes in flutists", Medical Problems of Performing Artists 28, 3: 145 - 51.
6. Lã, F.M.B.; Sundberg, J.. 2012. "Pregnancy and the Singing Voice: Reports From a Case Study", Journal of Voice 26, 4: 431 - 439.
7. Lã, F.M.B.; Sundberg, J.; Howard, D.M.; Sa-Couto, P.; Freitas, A.. 2012. "Effects of the menstrual cycle and oral contraception on singers' pitch control.", Journal of speech, language, and hearing research: JSLHR 55, 1: 247 - 261.
8. Sundberg, J.; Lã, F.M.B.; Gill, B.P.. 2011. "Professional male singers' formant tuning strategies for the vowel /a/", Logopedics Phoniatrics Vocology 36, 4: 156 - 167.
9. Lã, F.M.B.; Howard, D.M.; Ledger, W.; Davidson, J.W.; Jones, G.. 2009. "Oral contraceptive pill containing drospirenone and the professional voice: An electrolaryngographic analysis", Logopedics Phoniatrics Vocology 34, 1: 11 - 19.
10. Lã, F.M.B.; Davidson, J.W.; Ledger, W.; Howard, D. M; Jones, G.. 2007. "A case-study on the effects of the menstrual cycle and the use of a combined oral contraceptive pill on the performance of a western classical singer: An objective and subjective overview", Musicae Scientiae, Special Issue: Performance Matters 11, SPEC. ISS.: 85 - 107.
11. Lã, F.M.B.; Ledger, W.L.; Davidson, J.W.; Howard, D.M.; Jones, G.L.. 2007. "The Effects of a Third Generation Combined Oral Contraceptive Pill on the Classical Singing Voice", Journal of Voice 21, 6: 754 - 761.
12. Lã, F.M.B.; Davidson, J. W. 2005. "Investigating the Relationship between Sexual Hormones and Female Western Classical Singing", Research Studies in Music Education 24, 1: 75 - 87.

Trabalhos completos/resumidos em eventos com arbitragem científica
Papers in conference proceedings with scientific refereeing
1. Costa Filho, M; Lã, F.M.B.; Sundberg, J.; Costa, R.; Salgado, A.; Peduzzi, M.; Borgonovo, M.. 2012. "Vocal Pedagogy Using Body Movements: The Use of Swiss balls and elastic bands in Classical Singing Training", Trabalho apresentado em XXII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música, In Actas do XXII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música, João Pessoa, Paraíba, Brazil.
2. Araújo, André; Lã, F.M.B.; Sundberg, Johan. 2011. "Portuguese North Folk Singing: preliminary results from a case study", Trabalho apresentado em 9th Pan European Voice Conference , In Book of abstracts 9th Pan European Voice Conference , Marseille.

Artigos em revistas sem arbitragem científica
Papers in periodics without scientific refereeing
1. L{\~a. 2017. "Real-Time Visual Feedback of Airflow in Voice Training: Aerodynamic Properties of Two Flow Ball Devices", Journal of Voice 31, 3: 390.e1 - 39.
2. Hallqvist, H.; L{\~a. 2017. "Soul and Musical Theater: A Comparison of Two Vocal Styles", Journal of Voice 31, 2: 229 - 235.
3. Aparicio, Liliana; La, Filipa M. B; Silva, Anabela G. 2016. "Pain and Posture of Children and Adolescents Who Learn the Accordion as Compared with Non-Musician Students", Medical Problems of Performing Artists 31, 4: 187 - 192.
4. Aparicio, L.; L{\~a. 2016. "Pain and posture of children and adolescents who learn the accordion as compared with non-musician students", Medical Problems of Performing Artists 31, 4: 187 - 192.
5. Silva, Anabela G; L{\~a. 2015. "Pain prevalence in instrumental musicians: a systematic review", Med Probl Perform Art 30, 1: 8 - 19.
6. L{\~a. 2015. "Contact quotient versus closed quotient: A comparative study on professional male singers", Journal of Voice 29, 2: 148 - 154.
7. Sundberg, J.; L{\~a. 2013. "Formant tuning strategies in professional male opera singers", Journal of Voice 27, 3: 278 - 288.
8. Lã, F.M.B.; Sundberg, J.; Howard, D.M.; Sa-Couto, P.; Freitas, A.. 2012. "Effects of the menstrual cycle and oral contraception on singers' pitch control", Journal of Speech, Language, and Hearing Research 55, 1: 247 - 261.
9. L{\~a. 2012. "Pregnancy and the singing voice: Reports from a case study", Journal of Voice 26, 4: 431 - 439.
10. La, Filipa M. B. 2010. "Infant Musicality: New Research for Educators and Parents", Psychology of Music 38, 3: 387 - 389.
11. La, Filipa M. B; Ledger, William L; Davidson, Jane W; Howard, David M; Jones, Georgina L. 2007. "The effects of a third generation combined oral contraceptive pill on the classical singing voice", Journal of Voice 21, 6: 754 - 761.
12. L{\~a. 2005. "Investigating the relationship between sexual hormones and female western classical singing", Research Studies in Music Education 24, 1: 75 - 87.

Trabalhos completos/resumidos em eventos sem arbitragem científica
Papers in conference proceedings without scientific refereeing
1. Dalagna, G.; Lã, F.M.B.; Welch, G.. 2014. "Negotiating artistic desired outcomes in music performance: preliminary results", Trabalho apresentado em Performance Studies Network International Conference – 2014, In Proceedings of the Performance Studies Network International Conference – 2014, Cambridge, U.K..
2. Dalagna, G.; Lã, F.M.B.; Welch, G. F. 2011. "Mental representation of music perforamce: A theoretical model", Trabalho apresentado em International Symposium on Performance Science, 2013, In Proceedings of the International Symposium on Performance Science, 2013, edited by Aaron Williamon, Darryl Edwards, and Lee Bartel, European Association of Conservatoires (AEC), Wien, Austria.
3. Lã, F.M.B.. 2013. "Hormones and the artistic singing voice", Trabalho apresentado em IX Congress La Voce Artistica, In Gli effetti dei contraccettivi orali sulla voce cantada, Ravenna, Italy.
4. Facchini, F.; Harper, N. L; Lã, F.M.B.; Ricca, C.. 2013. "Beating together: A case study of heart rate in partner change in violin & piano duo", Trabalho apresentado em International Symposium on Performance Science, 2013, In Proceedings of the International Symposium on Performance Science, 2013, edited by Aaron Williamon, Darryl Edwards, and Lee Bartel, European Association of Conservatoires (AEC), Viena, (MDW), Austria.
5. Lã, F.M.B.. 2012. "The singing voice: rediscovering a diamond with many facets", Trabalho apresentado em VIII Latin-American Acoustics Conference, In Proceedings of the VIII Latin-American Acoustics Conference, Évora, Portugal.
6. Teixeira, Z.; Lã, F.M.B.; Silva, A.. 2012. "Alterações posturais e dor na cervical e ombro em instrumentistas de flauta transversal", Trabalho apresentado em XXII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música – João Pessoa, In XXII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música – João Pessoa, João Pessoa, Paraíba, Brazil.
7. Araújo, A.; Lã, F.M.B.; Sundberg, J.. 2012. "O Canto Folclórico Minhoto: dados preliminares de um Estudo de Caso", Trabalho apresentado em Guimaramus2012, Congresso Musical de Guimarães, In Guimaramus2012, Congresso Musical de Guimarães, Guimarães, Portugal.
8. Teixeira, Z. L. O; Lã, F.M.B.; Silva, A. G. 2011. "Head and scapular posture in flutists: A pilot controlled study", Trabalho apresentado em International Symposium on Performance Science 2011, In Proceedings of the International Symposium on Performance Science 2011, edited by Aaron Williamon, Darryl Edwards, and Lee Bartel, European Association of Conservatoires (AEC), Utrecht, Canada.
9. ZL, Teixeira; Lã, F.M.B.; Silva, A. G; Loureiro, N. 2011. "Alterações funcionais e dor na região cervical e cintura escapular dos instrumentistas de Flauta Transversal. ", Trabalho apresentado em Encontro Nacional de Investigação em Música, In Encontro Nacional de Investigação em Música, Porto.
10. Marinho, H.; Lã, F.M.B.; Pereira, A.; Santos, I.. 2011. "Electrophysiological markers and pianists’ anxiety: A preliminary study", Trabalho apresentado em International Symposium on Performance Science 2011, In Proceedings of the International Symposium on Performance Science 2011, edited by Aaron Williamon, Darryl Edwards, and Lee Bartel, European Association of Conservatoires (AEC), Utrecht, Canada.
11. Lã, F.M.B.; Sundberg, J.; Howard, D.; Sá Couto, P; Freitas, A.. 2011. "The Effects of Sex Steroid Hormones on Singer’s Pitch Control", Trabalho apresentado em Performa ’09, In Performa ’09 – Livro de Resumos dos Encontros de Investigação em Performance. Aveiro University, Aveiro, Portugal.
12. Lã, F.M.B.; Sundberg, J.. 2009. "Singing Voice and Pregnancy: preliminary results from a case study", Trabalho apresentado em 6th International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications (MAVEBA), Firenze University, Italy, In Proceedings of 6th International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications (MAVEBA), Firenze, Italy.
13. Lã, F.M.B.. 2009. "Menopausal effects: a pilot investigation on professional voice users’ perceptions", Trabalho apresentado em 6th International Conference of the Greek Society for Music Education, “Music: Trains, Educates, Heals”, In Proceedings of the 6th International Conference of the Greek Society for Music Education, “Music: Trains, Educates, Heals”, Kokkidou & Zoe Dionyssiou (Eds.)] May, Athens, Greece, Athens, Greece.

Outra produção científica
Other scientific production
1. Lã, F.M.B.. 2013. "Scientific Book Revision: Portuguese version of Principles of Voice Production - Princípios da Produção Vocal, by Titze, I. R. (2013)", 433 pp.. Salt Lake City, Utah, USA: National Center for Voice and Speech.
2. Lã, F.M.B.. 2010. "Book Review: Infant Musicality: new research for educators and parents, by Johannella Tafuri (2009)", 2 pp.. Reino Unido: SAGE Published in Association with Society for Education, Music and Psychology Research.
3. Lã, F.M.B.. 2007. "Book Review: The Performer's Voice: Realizing Your Vocal Potential by Dayme Meribeth Bunch (2006)", 2 pp.. Reino Unido: Cambridge University Press.



Apresentação oral de trabalho
Oral work presentation
1. Lã, F.M.B.. Voice Source Characteristics: Methods and Discoveries,2nd International Symposium,New York, USA,2014 (Simpósio).
2. Lã, F.M.B.. Music Medicine: optimising musical performance through healthy and informed practices,Music Medicine: optimising musical performance through healthy and informed practices,Olomouc, Czech Republic,2014 (Seminário).
3. Lã, F.M.B.; Granqvist, S.. The menstrual cycle and electrolaryngographic differences in singing,2nd International Voice Symposium,New York, USA,2014 (Simpósio).
4. Lã, F.M.B.. Psychoacoustic Characteristics of Choral Performance and its Relationship with Performance Practices in Amateur Choirs,Music and shared imaginaries: nationalisms, communities, and choral singing,Aveiro, Portugal,2014 (Conferência ou palestra).
5. Dalagna, G.; Lã, F.M.B.; Welch, G.. Negotiating Artistic Desired Outcomes in Music Performance: Preliminary Results,Performance Studies Network International Conference,Cambridge, England, United Kingdom,2014 (Conferência ou palestra).
6. Sundberg, J.; Lã, F.M.B.; Gill, B.P.. Does voice source differ between vowels?,2nd International Voice Symposium,New York, USA,2014 (Simpósio).
7. Lã, F.M.B.. The Science and art of singing together: contextualizing singing perceptions and practices,Music and shared imaginaries: nationalisms, communities, and choral singing,Aveiro, Portugal,2014 (Conferência ou palestra).
8. Lã, F.M.B.; Gapo, C.. Semi-Occluded Vocal Tract Gestures with Real-Time Feedback of Airflow: Impacts on Voice Source During Vocal Training,43rd Annual Symposium: Care of The Professional Voice,Philadelphia, USA,2014 (Simpósio).
9. Lã, F.M.B.; Gill, B.P.; Sundberg, J.. Singer’s Voice Source in Different Vowels,43st Annual Symposium: Care of The Professional Voice,Philadelphia, USA,2014 (Simpósio).
10. Lã, F.M.B.. Semi-occluded vocal tract gestures in voice therapy,Semi-occluded vocal tract gestures in voice therapy,Dresden, Germany,2014 (Comunicação).
11. Lã, F.M.B.; Sundberg, J.. Phonatory Characteristics of Fado Singing,ARS Choralis,Zagreb, Croatia,2014 (Conferência ou palestra).
12. Araújo, A.; Lã, F.M.B.. Práticas Vocais de cantadeiras do Alto Minho: contributos para a adopção de condutas de saúde vocal,VI Congresso Nacional APTF – Associação Portuguesa de Terapeutas da Fala,Lisboa, Portugal,2014 (Congresso).
13. Lã, F.M.B.. The Singing Voice – a diamond with many facets,Voice Research Laboratory,Dresden, Germany,2014 (Seminário).
14. Lã, F.M.B.. Documenting the voice: measurements of Phonation and Collision Threshold Pressures,1st Continuing Education Course: The Voice: Art and Science,New York, USA,2014 (Outra).
15. Lã, F.M.B.. The use of Electrolaryngography in the voice studio,2nd International Voice Symposium,New York, USA,2014 (Outra).
16. Lã, F.M.B.; Sundberg, J.; Tavares, M.. The effects of warm-up exercises on choir singing,ARS Choralis,Zagreb, Croatia,2014 (Conferência ou palestra).
17. Lã, F.M.B.; Mainka, A.; Murbe, D.; Sundberg, J.. Voice Source Properties at the Beginning and After Higher Singers’ Education: Comparing Students with Professionals,43st Annual Symposium: Care of The Professional Voice,Philadelphia, USA,2014 (Simpósio).
18. Lã, F.M.B.. The Flow Ball: Visual Feedback While Using a Semi-occluded Vocal Tract Gesture,43rd Annual Symposium: Care of the Professional Voice,Philadelphia, USA,2014 (Outra).
19. Aparício, L.; Silva, A. G; Lã, F.M.B.. Posture, Pain and Percetion of Effort in learning the accordeon,National Symposium in Research in Music - Encontro Nacional de Investigação em Música (ENIM),Lisbon, Portugal,2014 (Conferência ou palestra).
20. Lã, F.M.B.. Teaching and Learning Optimizations Strategies,Teaching and Learning Optimizations Strategies,Aveiro, Portugal,2013 (Seminário).
21. Lã, F.M.B.. Singing pedagogy in the 21st century: an overview of past, present and future approaches,III Symposium on the Paradigms of Teaching Musical Instruments in the 21st Century,Évora, Portugal,2013 (Simpósio).
22. Lã, F.M.B.; Sundberg, J.. Phonatory Characteristics of Male Fado Singers: An exploratory study with Fado from Coimbra,10th Pan European Voice Conference (PEVOC),Prague, Czech Republic,2013 (Poster).
23. Lã, F.M.B.. The singing voice – an acoustical instrument,The singing voice – an acoustical instrument,Lisboa, Portugal,2013 (Seminário).
24. Araújo, A.; Lã, F.M.B.. Práticas vocais de cantadeiras do Alto Minho: Contributos para a adopção de condutas de saúde vocal,VI Congresso de Terapeutas da Fala,Lisbon, Portugal,2013 (Poster).
25. Lã, F.M.B.. Preparing the voice for radio (Preparação da Voz para a Rádio),2nd Meeting of School Radios and TVs on the Net (II Encontro de Rádios e Televisões Escolares na Net, RTEN2013),Oliveira de Azeméis, Portugal,2013 (Outra).
26. Araújo, A.; Lã, F.M.B.. Electroglottography: clinical applications,2nd International Symposium of Voice,Vila Nova de Gaia, Portugal,2013 (Conferência ou palestra).
27. Lã, F.M.B.. New Approaches to the Teaching and Practice of Singing,3rd International Conference on Voice Science of the University of Aveiro,Aveiro, Portugal,2013 (Conferência ou palestra).
28. Lã, F.M.B.. The effects of oral contraception on the classical singer’s performance,La VoceAartistica X Editione,Ravenna, Italy,2013 (Conferência ou palestra).
29. Lã, F.M.B.. Teaching Singing and Technology: a historical overview of feedback tools,Inovação Pedagógica na Universidade de Aveiro. Teaching Day - 2nd Edition,Aveiro, Portugal,2013 (Poster).
30. Lã, F.M.B.. Effects of hormonal variations on the singing voice,Doctoral Programme in Voice, Language and Communication (Doutoramento em Voz, Linguagem e Comunicação),Lisbon, Portugal,2013 (Seminário).
31. Sundberg, J.; Lã, F.M.B.. Technology in the Singing Studio,Dresden Singing Voice Symposium – Wagner Sopranos,Dresden, Germany,2013 (Outra).
32. Costa Filho, M; Lã, F.M.B.; Sundberg, J.; Salgado, A.; Peduzzi de C. M; Costa, R.. O Treino Respiratório com o uso da Banda Elástica e da Bola Suiça na Optimização do Ensino do Canto Clássico,Guimaramus2012, Congresso Musical de Guimarães,Guimarães, Portugal,2012 (Congresso).
33. Lã, F.M.B.. The electrolaryngograph & glottal enterprises hybrid system,International Voice Symposium: Subglottal Pressure Measurement and Source-Filter Interaction: Two Current Issues in Voice Research,New York, USA,2012 (Outra).
34. Lã, F.M.B.. Musician’s Medicine,Musician’s Medicine,Glasgow, UK,2012 (Seminário).
35. Sundberg, J.; Lã, F.M.B.; Gill, B.P.. Out-of-tune formants,International Voice Symposium: Subglottal Pressure Measurement and Source-Filter Interaction – two current issues in voice research,New York, USA,2012 (Simpósio).
36. Lã, F.M.B.. New approaches to Teaching Singing,New approaches to Teaching Singing,Dresden, Germany,2012 (Outra).
37. Lã, F.M.B.. Semi-Occluded Vocal Tract Gestures,Semi-Occluded Vocal Tract Gestures,Dresden, Germany,2012 (Outra).
38. Sundberg, J.; Lã, F.M.B.; Gill, B.P.. Out-of-tune formants,INTERNATIONAL VOICE SYMPOSIUM: Subglottal Pressure Measurement and Source-Filter Interaction - two current issues in voice research,New York, Portugal,2012 (Conferência ou palestra).
39. Teixeira, Z.; Lã, F.M.B.; Silva, Anabela. Alterações posturais e dor na cervical e ombro em instrumentistas de flauta transversal,XXII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música – João Pessoa,João Pessoa, Brazil,2012 (Congresso).
40. Filho, Moacyr S. C; Lã, F.M.B.; Sundberg, J.; Costa, R.; Salgado, A.; Castro, Marcelo P.; Borgonovo, M.. Vocal Pedagogy Using Body Movements: The Use of Swiss balls and elastic bands in Classical Singing Training,XXII Congresso da Associação Nacional de Pesquisa e Pós-Graduação em Música – João Pessoa,Brazil,2012 (Congresso).
41. Lã, F.M.B.. The Electrolaryngograph & Glottal Enterprises Hybrid System: applications on measuring phonation and collision threshold pressures,International Voice Symposium: Subglottal Pressure Measurement and Source-Filter Interaction – two current issues in voice research,New York. USA,2012 (Simpósio).
42. Lã, F.M.B.; Sundberg, J.. Closed Quotient and Contact Quotient: a multi-comparison study,Closed Quotient and Contact Quotient: a multi-comparison study,Stockholm, Sweden,2012 (Seminário).
43. Lã, F.M.B.. Electrolaryngography,Electrolaryngography,Dresden, Germany,2012 (Outra).
44. Lã, F.M.B.. The electrolaryngograph & glottal enterprises hybrid system: applications on measuring phonation and collision threshold pressures,International Voice Symposium: Subglottal Pressure Measurement and Source-Filter Interaction: Two Current Issues in Voice Research,New York, USA,2012 (Conferência ou palestra).
45. Lã, F.M.B.. Objective Measures of Voice - Subglottal pressures and Source-filter interaction,1st International Symposium on Voice,New York, USA,2012 (Simpósio).
46. Lã, F.M.B.. Colours of (young) European Voices,EUROPA CANTAT MEETING,Toulouse, France,2012 (Seminário).
47. Lã, F.M.B.. Hormones and the singing voice,Hormones and the singing voice,Glasgow, UK,2012 (Seminário).
48. Lã, F.M.B.; Sundberg, J.. Afinação: um recurso técnico ou expressivo na performance vocal lírica?,Guimaramus2012, Congresso Musical de Guimarães,Guimarães, Portugal,2012 (Congresso).
49. Araújo, A.; Lã, F.M.B.; Sundberg, J.. O Canto Folclórico Minhoto: dados preliminares de um Estudo de Caso,Guimaramus2012, Congresso Musical de Guimarães,Guimarães, Portugal,2012 (Congresso).
50. Lã, F.M.B.. The singing voice: rediscovering a diamond with many facets,VIII Latin-American Acoustics Conference,Évora, Portugal,2012 (Conferência ou palestra).
51. Cláudio, S.; Lã, F.M.B.. Criação de um Sistema de Subclassificação Vocal Objetivo: estudo piloto,II Encontro Nacional De Investigação Em Música,Castelo Branco, Portugal,2012 (Conferência ou palestra).
52. Lã, F.M.B.. Teaching Singing and Technology,Teaching Singing and Technology,Dresden, Germany,2012 (Outra).
53. Lã, F.M.B.. Teaching singing and Technology,XXIV Jahreskongresses des BDG und des EUROVOX Kongresses,Munich, Germany,2012 (Conferência ou palestra).
54. Sundberg, J.; Lã, F.M.B.; Gill, B.P.. Two different formant strategies in professional male singers,40th Annual Symposium on The Care of the Professional Voice,Philadelphia, USA,2011 (Simpósio).
55. Sundberg, J.; Lã, F.M.B.; Himonides, E.. Is intonation expressive?,40th Symposium on the Care of the Professional Voice,Philadelphia, USA,2011 (Poster).
56. Lã, F.M.B.; Sundberg, J.. Closed-Quocient versus Contact Quocient: a multicomparitive approach,9th Pan European Voice Conference,Marseille, France,2011 (Conferência ou palestra).
57. Costa Filho, M; Lã, F.M.B.; Sundberg, J.; Costa, R.; Salgado, A.; Peduzzi, M.; Borgonovo, M.. A pilot study on the effects of body training with elastic band and Swiss ball on classical singing,9th Pan European Voice Conference,Marseille, France,2011 (Conferência ou palestra).
58. Lã, F.M.B.; Marinho, H.; Pereira, A.; Santos, I.. Electrophysiological markers and pianists’ anxiety: A preliminary study,International Symposium on Performance Science,Toronto, Canada,2011 (Simpósio).
59. Sundberg, J.; Lã, F.M.B.; Gill, B.P.. Formant strategies in professional opera singers,161st Meeting of the Acoustical Society of America,Seattle, USA,2011 (Conferência ou palestra).
60. Lã, F.M.B.. Voice and Gender,What voice unveils: Human voice beyond phonetics,Santander, Spain,2011 (Conferência ou palestra).
61. Araújo, A. P; Lã, F.M.B.; Sundberg, J.. Portuguese North Folk Singing: preliminar results from a case study,9th Pan European Voice Conference,Marseille, France,2011 (Conferência ou palestra).
62. Lã, F.M.B.; Sundberg, J.; Howard, D.; Sá Couto, P; Freitas, A.. The Effects of Sex Steroid Hormones on Singer’s Pitch Control,Performa ’09,Aveiro, Portugal,2011 (Conferência ou palestra).
63. Lã, F.M.B.. New Technologies applied to teaching singing,New Technologies applied to teaching singing,Columbus, Ohio. USA,2011 (Seminário).
64. Lã, F.M.B.. The effects of hormones on singer’s performance,The effects of hormones on singer’s performance,Columbus, Ohio. USA,2011 (Seminário).
65. Teixeira, Z. L. O; Lã, F.M.B.; Silva, A. G. Head and scapular posture in flutists: A pilot controlled study,International Symposium on Performance Science,Toronto, Canada,2011 (Simpósio).
66. Lã, F.M.B.; Sundberg, J.. Sex steroid hormones and intonation accuracy in singing,5th Physiology and Acoustics of Singing Conference (PAS5),Stockholm, Sweden,2010 (Conferência ou palestra).
67. Lã, F.M.B.. Effects of Sex steroid Hormones on the singing performance,Effects of Sex steroid Hormones on the singing performance,New York, USA,2010 (Seminário).
68. Sundberg, J.; Lã, F.M.B.; Gill, B.P.. Two formant strategies on professional male singers,5th Physiology and Acoustics of Singing Conference (PAS5),Stockholm, Sweden,2010 (Conferência ou palestra).
69. Lã, F.M.B.; Sundberg, J.. Singing Voice During and after Pregnancy: a longitudinal case study,The Voice Foundation’s 39th Annual Symposium on the Care of the Professional Voice,Philadelphia, USA,2010 (Simpósio).
70. Lã, F.M.B.; Sundberg, J.. Sex Steroid Hormones and Intonation Accuracy in Singing,International Artistic and Scientific Symposium on Choral Music,Zagreb, Croatia,2010 (Simpósio).
71. Lã, F.M.B.. Perceptual Evaluations of Voices,Perceptual Evaluations of Voices,New York, USA,2010 (Seminário).
72. Lã, F.M.B.. Real time feedback display in teaching classical singing: applicability,12º Encontro de Engenharia Audio da AES – Portugal,Aveiro, Portugal.,2010 (Conferência ou palestra).
73. Lã, F.M.B.. Different perspective of the singing voice,2nd International Conference of Voice Science of the University of Aveiro,Aveiro, Portugal,2010 (Conferência ou palestra).
74. Lã, F.M.B.. Audio signal and its relation with voice analysis,30th Meeting of the Portuguese Association of Acoustics,Porto, Portugal,2010 (Conferência ou palestra).
75. Lã, F.M.B.; Sundberg, J.. Singing Voice and Pregnancy: preliminary results from a case study,6th International Workshop on Models and Analysis of Vocal Emissions for Biomedical Applications,Florence, Italy,2009 (Conferência ou palestra).
76. Lã, F.M.B.; Sundberg, J.. Observation of the Singing Voice during pregnancy: a case study,158th Meeting of the Acoustical Society of America,San Antonio, Texas, USA,2009 (Conferência ou palestra).
77. Lã, F.M.B.. The effects of hormonal variations in singer’s performance,The effects of hormonal variations in singer’s performance,San Antonio, Texas, USA,2009 (Seminário).
78. Lã, F.M.B.; Clemente, M. P; Rocha, N.; Pinho, J. C. Case study of a temperomandibular joint hypermobility in classical singing,Biodental Engineering,Porto, Portugal,2009 (Conferência ou palestra).
79. Lã, F.M.B.. Endocrinology of the voice,Endocrinology of the voice,Viana do Castelo, Portugal,2008 (Seminário).
80. Lã, F.M.B.. Aging Voice: implications for Professional voice users,2nd Symposium of the Portuguese Performing Arts Medicine,Aveiro, Portugal,2008 (Simpósio).
81. Lã, F.M.B.. The effects of the oral contraceptive pill: advise on singers,1st Symposium of the Portuguese Performing Arts Medicine,Matosinhos, Portugal,2008 (Simpósio).
82. Lã, F.M.B.. The Musical Mind,VI Internacional Fórum of Portuguese Researchers (FIIP) – Brain, Life and Culture,Lisbon, Portugal,2008 (Conferência ou palestra).
83. Lã, F.M.B.; Carvalho, J. L. S; Harper, N. L. The effects of the menopause and Hormone Related Medication on the Professional Voice: a bibliographic review,7th Pan European Voice Conference,Groningen, The Netherlands,2007 (Poster).
84. Lã, F.M.B.; Davidson, J. W; Ledger, W.; Howard, D.; Jones, G.. Investigating the effects of a combined oral contraceptive pill on the Western Classical Singing Performance,3rd Conference on Interdisciplinary Musicology-Singing,Tallinn, Estonia,2007 (Conferência ou palestra).
85. Lã, F.M.B.. Vocal technique for choir members: optimising your singing abilities,Vocal technique for choir members: optimising your singing abilities,Covilhã, Portugal,2007 (Seminário).
86. Lã, F.M.B.. The endocrinology of the performance of classically trained singers,Performa – International Conference on Performance Studies,Aveiro, Portugal,2007 (Conferência ou palestra).
87. Lã, F.M.B.; Davidson, J. W; Ledger, W.; Howard, D.; Jones, G.. The effects of a combined oral contraceptive pill with anti-androgenic and anti-mineralocorticoid properties on the pattern of vibration of the vocal folds of professional female voice users,7th Pan European Voice Conference,Groningen, The Netherlands,2007 (Conferência ou palestra).
88. Lã, F.M.B.; Harper, N.L.; Carvalho, J.L.S.. The effects of the menopause and the use of hormonal replacement therapy on female Professional voice users’ perceptions,International Symposium on Performance Science,,Porto, Portugal,2007 (Simpósio).
89. Lã, F.M.B.; Davidson, J. W; Ledger, W.; Howard, D. M; Jones, G.. Investigating the Female Western Classical Singer’s Vocal Experience over the Menstrual Cycle and during the use of a Third Generation Oral Contraceptive Pill,1st Music Mind and Medicine,Perth, Australia,2006 (Conferência ou palestra).
90. Lã, F.M.B.; Davidson, J. W; Ledger, W.; Howard, D. M; Jones, G.. The Effects of a Third Generation Oral Contraceptive Pill on the Female Operatic Voice: a double blind randomised placebo controlled trial,The Voice Foundation 38th Annual Symposium Care of the Professional Voice,Philadelphia, USA,2006 (Simpósio).
91. Lã, F.M.B.. Investigating the effects of a combined oral contraceptive pill on the professional singing voice,Investigating the effects of a combined oral contraceptive pill on the professional singing voice,Sheffield, U.K.,2006 (Seminário).
92. Lã, F.M.B.. The Psycho-Physiological View of the Music Performer,Performed II,Aveiro, Portugal,2006 (Conferência ou palestra).
93. Lã, F.M.B.. The Effects of the Menstrual Cycle and the Oral Contraceptive Pill on Female Operatic Voices,The Effects of the Menstrual Cycle and the Oral Contraceptive Pill on Female Operatic Voices,London, U.K. ,2005 (Seminário).
94. Lã, F.M.B.; Davidson, J. W; Ledger, W.; Howard, D. M; Jones, G.. The Effects of a third generation oral contraceptive pill on the classical trained voice,6th Pan European Voice Conference,London, UK,2005 (Conferência ou palestra).
95. Lã, F.M.B.. Sexual Hormones: do they influence vocal performance of western classical singers?,Sexual Hormones: do they influence vocal performance of western classical singers?,Coimbra, Portugal,2005 (Seminário).
96. Lã, F.M.B.; Davidson, J. W; Ledger, W.; Howard, D. M; Jones, G.. The influence of the menstrual cycle and the oral contraceptive pill on the female singing performance,Performance Matters Conference,Porto, Portugal,2005 (Conferência ou palestra).
97. Lã, F.M.B.; Davidson, J. W; Ledger, W.; Howard, D. M; Jones, G.. The Effects of a third generation oral contraceptive pill on the operatic female singing voice,AOTOS-Sempre Conference,Birmingham, UK,2005 (Conferência ou palestra).
98. Lã, F.M.B.; Davidson, J. W; Ledger, W.; Howard, D. M; Jones, G.. The Effects of a Third Generation Oral Contraceptive Pill on the Female Operatic Voice: a double blind randomised placebo controlled trial,A Stint on Voice Research,York, UK,2005 (Conferência ou palestra).
99. Lã, F.M.B.. Vocal Science,Vocal Science,Aveiro, Portugal,2004 (Seminário).
100. Lã, F.M.B.. The Effects of Steroid Hormones on Voice Quality,The Effects of Steroid Hormones on Voice Quality,Porto, Portugal,2004 (Seminário).
101. Lã, F.M.B.. The Influence of Sexual Hormones on the Western Classical Singing Voice,London, U.K.,2004 (Seminário).
102. Lã, F.M.B.; Davidson, J. W; Ledger, W.; Howard, D. M; Jones, G.. The Influence of the Menstrual Cycle and the Oral Contraceptive Pill on the Female Operatic Singing Voice,Second International Physiology and Acoustics of Singing Conference,Denver, USA,2004 (Conferência ou palestra).
103. Lã, F.M.B.. The Influence of Sexual Hormones on the Western Classical Singing Voice,Manchester, UK,2004 (Seminário).
104. Lã, F.M.B.; Davidson, J. W; Ledger, W.; Howard, D. M; Jones, G.. The Influence of the Menstrual Cycle and the Oral Contraceptive Pill on the Female Operatic Singing Voice,5th Pan European Voice Conference (PEVOC5),Graz, Austria,2003 (Conferência ou palestra).
105. Lã, F.M.B.; Davidson, J. W; Ledger, W.; Howard, D. M; Jones, G.. Sexual Hormones and and Operatic Singing Voice: is there a relationship?,Conference Day of the Medical School of the University of Sheffield,Sheffield, UK,2002 (Poster).

Curso de curta duração lecionado
Taught short course
1. Lã, F.M.B.. Master in Phonetics and Phonology, CSIC, 2015 (Especialização), promovido por CSIC, UIMP.
Duração: 6 horas. Local: CSIC, Cidade: Madrid, Tipo de participação: Docente.
2. Lã, F.M.B.. Master in Phonetics and Phonology, CSIC, 2015 (Especialização), promovido por CSIC, UIMP.
Duração: 4 horas. Local: CSIC, Cidade: Madrid, Tipo de participação: Docente.
3. Lã, F.M.B.. The Science of the Voice, 2014 (Aperfeiçoamento), promovido por Steinhardt School of Culture, Education and Human Development, New York University.
Duração: 1 semanas. Local: Steinhardt School of Culture, Education and Human Development, New York University, New York, Cidade: New York, USA, Tipo de participação: Organizador.
[Dates: 13th – 17st January, 2014] Main responsibilities – Course creator and developer; Teaching. Taught courses – Anatomy and Physiology of the Singing Voice; The effects of hormones on the Singing Voice; Perceptual Evaluations of the Singing Voice; Applications of new teaching tools in singing – Master Class; Workshop on using electrolaryngography on teaching voice; Workshop on measurements of subglottal pressure and phonation and collision threshold pressures. Duties - Development of the curricular contents of the above mentioned course and its modules; participants’ assessment; Supervision of practical work Participants – Singers, Singing Teachers; Speech Pathologists; Phoneticians; Music Composers; Choir leaders; Choir singers.
4. Lã, F.M.B.. The Science of the Voice, 2014 (Aperfeiçoamento), promovido por Steinhardt School of Culture, Education and Human Development, New York University.
Duração: 1 semanas. Local: Steinhardt School of Culture, Education and Human Development, New York University, New York, Cidade: New York, USA, Tipo de participação: Docente.
[Dates: 13th – 17st January, 2014] Main responsibilities – Course creator and developer; Teaching. Taught courses – Anatomy and Physiology of the Singing Voice; The effects of hormones on the Singing Voice; Perceptual Evaluations of the Singing Voice; Applications of new teaching tools in singing – Master Class; Workshop on using electrolaryngography on teaching voice; Workshop on measurements of subglottal pressure and phonation and collision threshold pressures. Duties - Development of the curricular contents of the above mentioned course and its modules; participants’ assessment; Supervision of practical work Participants – Singers, Singing Teachers; Speech Pathologists; Phoneticians; Music Composers; Choir leaders; Choir singers.
5. Lã, F.M.B.. Master Degree in Phonetics and Phonology, CSIC, 2014 (Especialização), promovido por Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP).
Duração: 4 horas. Local: Laboratório de Fonética del Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP), Madrid, Cidade: Madrid, Spain, Tipo de participação: Docente.
6. Lã, F.M.B.. Master´s in Phonetics and Phonology, CSIC, 2014 (Especialização), promovido por Laboratório de Fonética del Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP).
Duração: 4 horas. Local: Laboratório de Fonética del Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP), Madrid, Cidade: Madrid, Spain, Tipo de participação: Docente.
Main responsibilities: Teaching Taught courses: Singing pedagogy, function and health, electrolaryngograph and voice assessment Duties: Development and deliver of pedagogical contents; Monitoring the students’ development; Students’ assessment; Supervision of students’ works and essays.

7. Lã, F.M.B.. Master Degree in Phonetics and Phonology, CSIC, 2014 (Especialização), promovido por Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP).
Duração: 4 horas. Local: Laboratório de Fonética del Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP), Madrid, Cidade: Madrid, Spain, Tipo de participação: Docente.
8. Lã, F.M.B.. Function of the Singing Voice, 2013 (Aperfeiçoamento), promovido por KTH, Royal Institute of Technology.
Duração: 1 semanas. Local: KTH, Royal Institute of Technology, Stockholm, Cidade: Stockholm, Sweden, Tipo de participação: Docente.
9. Lã, F.M.B.. II Leonardo da Vinci Programme: Digital Resources Technology, 2013 (Aperfeiçoamento), promovido por European Voice Teachers Association (EVTA).
Duração: 1 semanas. Local: Prague Music Conservatoire, Cidade: Prague, Czech Republic, Tipo de participação: Docente.
Main responsibilities – Course creator and developer; Teaching. Taught courses –Spectrography applied to teaching singing Duties - Development of the curricular contents of the above mentioned course and its modules .
10. Lã, F.M.B.. Master´s in Phonetics and Phonology, CSIC, 2012 (Aperfeiçoamento), promovido por Laboratório de Fonética del Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP).
Duração: 1 semanas. Local: Laboratório de Fonética del Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP), Madrid, Cidade: Madrid, Spain, Tipo de participação: Docente.
Main responsibilities – Teaching Taught courses – Singing pedagogy, function and health, electrolaryngograph and voice assessment Duties – Development and deliver of pedagogical contents; Monitoring the students’ development; Students’ assessment; Supervision of students’ works and essays.
11. Lã, F.M.B.. The Science of the Singing Voice, 2012 (Aperfeiçoamento), promovido por National Association of Teachers of Croatia.
Duração: 1 semanas. Local: Karlovac Music School, Karlovac, Cidade: Karlovac, Croatia, Tipo de participação: Docente.
Main responsibilities: Course developer; Teacher Taught courses: A multimodal approach in voice science and pedagogy Duties - Development of the curricular contents of the above mentioned course and its modules.
12. Lã, F.M.B.. Function of the Singing Voice, 2012 (Aperfeiçoamento), promovido por KTH, Royal Institute of Technology.
Duração: 1 semanas. Local: KTH, Royal Institute of Technology, Stockholm, Cidade: Stockholm, Sweden, Tipo de participação: Docente.
13. Lã, F.M.B.. II Leonardo da Vinci Programme: Digital Resources Technology, 2012 (Aperfeiçoamento), promovido por European Voice Teachers Association (EVTA).
Duração: 1 semanas. Local: Sibelius Academy, Helsinki, Cidade: Helsinki, Finland, Tipo de participação: Docente.
14. Lã, F.M.B.. Promoting Health and Well-Being in Musicians, 2011 (Aperfeiçoamento), promovido por Centro de Formação Sá de Miranda, Braga.
Duração: 3 semanas. Local: Calouste Gulbenkian Music Conservatoire of Braga, Braga, Cidade: Braga, Portugal, Tipo de participação: Organizador.
15. Lã, F.M.B.. Promoting Health and Well-Being in Musicians, 2011 (Aperfeiçoamento), promovido por Centro de Formação Sá de Miranda, Braga.
Duração: 3 semanas. Local: Calouste Gulbenkian Music Conservatoire of Braga, Braga, Cidade: Braga, Portugal, Tipo de participação: Docente.
16. Lã, F.M.B.. Master´s in Phonetics and Phonology, CSIC, 2011 (Aperfeiçoamento), promovido por Laboratório de Fonética del Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP).
Duração: 1 semanas. Local: Laboratório de Fonética del Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP), Madrid, Cidade: Madrid, Spain, Tipo de participação: Docente.
Main responsibilities – Teaching Taught courses – Singing pedagogy, function and health, electrolaryngograph and voice assessment Duties – Development and deliver of pedagogical contents; Monitoring the students’ development; Students’ assessment; Supervision of students’ works and essays.
17. Lã, F.M.B.. The Professional Voice: Strategies for Optimizing Voice Use, 2010 (Aperfeiçoamento), promovido por Secondary School of Vilela.
Duração: 1 semanas. Local: Secondary School of Vilela, Paredes, Cidade: Paredes, Portugal, Tipo de participação: Organizador.
18. Lã, F.M.B.. The Professional Voice: Strategies for Optimizing Voice Use, 2010 (Aperfeiçoamento), promovido por Secondary School of Vilela.
Duração: 1 semanas. Local: Secondary School of Vilela, Paredes, Cidade: Paredes, Portugal, Tipo de participação: Docente.
19. Lã, F.M.B.. Function of the Singing Voice, 2010 (Aperfeiçoamento), promovido por KTH, Royal Institute of Technology.
Duração: 1 semanas. Local: KTH, Royal Institute of Technology, Stockholm, Cidade: Stockholm, Sweden, Tipo de participação: Docente.
20. Lã, F.M.B.. 2nd National Course on Health and Singing, 2010 (Aperfeiçoamento), promovido por Portuguese Catholic University and Institute of Health Sciences.
Duração: 1 semanas. Local: Portuguese Catholic University and Institute of Health Sciences, Lisbon, Cidade: Lisbon, Portugal, Tipo de participação: Docente.
Main responsibilities: Teaching Taught courses: The endocrinology of the Voice Duties: Development of the entire curricular programme of the course module.
21. Lã, F.M.B.. Function of the Singing Voice, 2009 (Aperfeiçoamento), promovido por KTH, Royal Institute of Technology.
Duração: 1 semanas. Local: KTH, Royal Institute of Technology, Stockholm, Cidade: Stockholm, Sweden, Tipo de participação: Docente.
Main responsibilities – Teaching Taught courses – Anatomy and Physiology of the Singing Voice; The effects of hormones on the Singing Voice; Perceptual Evaluations of the Singing Voice; Technology in the Singing Studio. Duties: Development of the curricular contents of the above mentioned modules; participants’ assessment; Supervision of practical work Participants: Singers, Singing Teachers; Speech Pathologists; Phoneticians; Music Composers; Choir leaders; Choir singers.
22. Lã, F.M.B.. Post-Graduation in Professional Voice, Faculty of Medicine, University of Porto, 2009 (Especialização), promovido por Faculty of Medicine, University of Porto.
Duração: 1 semanas. Local: Faculty of Medicine, University of Porto, Porto, Cidade: Porto, Portugal, Tipo de participação: Organizador.
23. Lã, F.M.B.. Post-Graduation in Professional Voice, Faculty of Medicine, University of Porto, 2009 (Especialização), promovido por Faculty of Medicine, University of Porto.
Duração: 1 semanas. Local: Faculty of Medicine, University of Porto, Cidade: Porto, Portugal, Tipo de participação: Docente.
24. Lã, F.M.B.. Master´s in Phonetics and Phonology, CSIC, 2009 (Aperfeiçoamento), promovido por Laboratório de Fonética del Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP).
Duração: 1 semanas. Local: Laboratório de Fonética del Consejo Superior de Investigaciones Científicas de Madrid and International University Menéndez Pelayo (UIMP), Madrid, Cidade: Madrid, Spain, Tipo de participação: Docente.
Main responsibilities – Teaching Taught courses – Singing pedagogy, function and health, electrolaryngograph and voice assessment Duties – Development and deliver of pedagogical contents; Monitoring the students’ development; Students’ assessment; Supervision of students’ works and essays.
25. Lã, F.M.B.. Voice Lab: Phonation, Prevention and Communication in Education, 2009 (Aperfeiçoamento), promovido por Superior School of Education, Polytechnic Institute of Porto.
Duração: 2 semanas. Local: Superior School of Education, Polytechnic Institute of Porto, Porto, Cidade: Porto, Portugal, Tipo de participação: Docente.
26. Lã, F.M.B.. Voice Lab: Phonation, Prevention and Communication in Education, 2009 (Aperfeiçoamento), promovido por Superior School of Education, Polytechnic Institute of Porto.
Duração: 2 semanas. Local: Superior School of Education, Polytechnic Institute of Porto, Porto, Cidade: Porto, Portugal, Tipo de participação: Organizador.
27. Lã, F.M.B.. Voice Lab: Phonation, Prevention and Communication in Education, 2008 (Aperfeiçoamento), promovido por Superior School of Education, Polytechnic Institute of Porto.
Duração: 1 semanas. Local: Superior School of Education, Polytechnic Institute of Porto, Porto, Cidade: Porto, Portugal, Tipo de participação: Organizador.
28. Lã, F.M.B.. Voice Lab: Phonation, Prevention and Communication in Education, 2008 (Aperfeiçoamento), promovido por Superior School of Education, Polytechnic Institute of Porto.
Duração: 1 semanas. Local: Superior School of Education, Polytechnic Institute of Porto, Porto, Cidade: Porto, Portugal, Tipo de participação: Docente.
29. Lã, F.M.B.. Post Diploma (CPD) in Music, 2008 (Aperfeiçoamento), promovido por Institute of Education, London University.
Duração: 1 semanas. Local: Academy of Contemporary Music, Guildford, Cidade: Guildford, UK, Tipo de participação: Organizador.
30. Lã, F.M.B.. Post Diploma (CPD) in Music, 2008 (Aperfeiçoamento), promovido por Institute of Education, London University.
Duração: 1 semanas. Local: Academy of Contemporary Music, Guildford, Cidade: Guildford, UK, Tipo de participação: Docente.
Main responsibilities: Teaching; Course developer; Course organizer Taught courses: Physical problems of the instrumentalist musician: epidemiology and aetiology; Development of preventing strategies Duties: Development of the curricular contents of the above mentioned course; Teaching of those contents; Participants evaluation.
31. Lã, F.M.B.. Professional Voice Users: Voice Lab: Phonation, Prevention and Communication in Education, 2007 (Aperfeiçoamento), promovido por Faculty of Medicine, University of Coimbra.
Duração: 1 semanas. Local: Faculty of Medicine, University of Coimbra, Coimbra, Cidade: Coimbra, Portugal, Tipo de participação: Docente.
32. Lã, F.M.B.. Professional Voice Users: Voice Lab: Phonation, Prevention and Communication in Education, 2007 (Aperfeiçoamento), promovido por Faculty of Medicine, University of Coimbra.
Duração: 1 semanas. Local: Faculty of Medicine, University of Coimbra, Coimbra, Cidade: Coimbra, Portugal, Tipo de participação: Organizador.

Organização de evento
Event organization
1. Lã, F.M.B.. Celebrating the voice in different languages - “World-Voice Day”,2014 (Concerto).
Participants Singing students from the Department of Communication and Arts of Aveiro University – Singing piano concert and poetry: two ways of expressing the many languages of the voice .

2. Lã, F.M.B.. “Celebrating the Languages of the Voice”,2014 (Concerto / Outra).
3. Lã, F.M.B.. Singing and piano lecture-recital: “Agenda 7 de Coimbra - Around Goethe”,2014 (Concerto).
4. Lã, F.M.B.; Gill, B.P.; Sundberg, J.. 2nd International Symposium: Voice Source Characteristics: Methods and Discoveries,2014 (Simpósio).
Invited Speakers 1.Millan Amir, USA 2.Rian Bransky, USA 3.Shirley Gherson, USA 4.Brian Gill, USA 5.Michael Döllinger, Germany 6.Matthias Echternach, Germany 7.Svante Granqvist, Sweden 8.Pedro Gómez Vilda, Spain 9.Nathalie Henrich, France 10.Christian Herbst, Austria 11.Filipa Lã, Portugal 12.Don Miller, The Netherlands 13.Dirk Mürbe, Germany 14.Martin Rothenberg, USA 15.Ron Scherer, USA 16.Johan Sundberg, Sweden 17.Jan Svec, Check Republic 18.Sten Ternström, Sweden 19.Ingo Titze, USA.

5. Lã, F.M.B.. Singing and Piano Lecture-recital “Coimbra: Un Tour de Babel en chansons”,2013 (Concerto).
6. Lã, F.M.B.. Celebrating the true interdisciplinary nature of the voice - "World-Voice Day",2013 (Outro).
Besides being the organizer of the event, Filipa Lã was the pivot for Portugal, to disseminate all organised national events internationally. Invited Participants 1. António Teixeira (Engineer), IEETA, University of Aveiro 2. Luis Jesus (Engineer), Superior School of Heath, University of Aveiro 3. Jorges Castro Ribeiro (Musicologist), Department of Communication and Arts, University of Aveiro 4. Helena Caspurro (Singer), Department of Communication and Arts, University of Aveiro 5. Paulo Vas de Carvalho (Guitar player), Department of Communication and Arts, University of Aveiro 6. Jorge Patricio (Engineer), President of the Portuguese Society of Acoustics 7. Carlos Faiol, Portuguese Society of Acoustics 8. André Araújo (voice therapist), ESTSP – Polytechnic Institute of Porto 9. Carlos Fragateiro (stage director), Department of Communication and Arts, University of Aveiro 10. Maria José Loureiro (education), Department of Education, University of Aveiro 11. Maria do Rosário Pestana (ethnomusicologist), Department of Communication and Arts, University of Aveiro 12. Teresa Albuquerque, Junior Academy 13. Mário Andrea, ORL, Santa Maria Hospital 14. Maria do Céu Santos (physiotherapist) 15. Miguel Bastos (Radio presenter) – Radio Moliceiro 16. Cantadeiras do Vale do Neiva (ethnographic group from the North of Portgual) 17. Vozes de Manhouce (ethnographic group from the Center part of Portugal) 18. Isabel Silvestre, soloist of Vozes de Manhouce 19. Alexandrino Matos, coach of Vozes de Manhouce 20. Nuno Silva, Fado Singer from Coimbra 21. Ricardo Dias, Portuguese Guitar Player of Fado from Coimbra 22. Paulo Larguesa, Guitar Player of Fado from Coimbra 23. Filipa Lã (Singer and the presenter of the event), Department of Communication and Arts, University of Aveiro 24. Choir: Voz Nua – First premier of the choir song “Cessa o teu Canto”, by Francisco Monteiro, a composition special for this day. Participants Approximately a total of 80 participants during the whole da.
7. Lã, F.M.B.. 3rd International Conference on Voice Science of the University of Aveiro”: New Approaches to the Teaching and Practice of Singing,2013 (Conferência).
Invited Speakers 1. Johan Sundberg, Professor of Acoustics, KTH, Sweden 2. Stephen Robertson, Head of Vocal Studies, Scotish Royal Academy of Music and Drama, Glasgow, UK 3. Alexander Mainke, Phonetician, Division of Phoniatrics and Audiology, Department of Otorhinolaryngology, University Hospital Carl Gustav Carus, Technical University Dresden, Germany, Voice Research Laboratory, University of Music „Carl Maria von Weber“ Dresden, Germany 4. Norma Enns, Singing Teacher at Hannover Hochschule für Musik and President of the European Voice Teachers Association Participants – approximately a total of 65 participants: singing students, singing teachers, and speech therapist all over Portugal .
8. Lã, F.M.B.; Gill, B.P.; Sundberg, J.. 1st International Symposium on Voice: Objective Measures of Voice - Subglottal pressures and Source-filter interaction,2012 (Simpósio).
Invited speakers 1. Ingo Titze, USA 2. Don Miller, The Netherlands 3. Natalie Henrich, France 4. Harme Schutte, The Netherlands 5. Martin Rothenberg, USA 6. Ron Baken, USA 7. Johan Sundberg, Sweden 8. Filipa Lã, Portugal 9. Brian Gill, USA 10. Ron Scherer, USA 11. Svante Granqvist, Sweden Participants – a total of 110 participants from around the USA.
9. Lã, F.M.B.. Singing and Piano lecture-recital: “Afternoons at the Museum”,2012 (Concerto).
10. Lã, F.M.B.. The Choral Voice - "World-Voice Day",2012 (Outro).
Invited Participants 1. Choir groups of Aveiro 2. Round table discussing the Professional Voice in Theatre, TV, Opera and Radio with José Geraldo, Carlos Guilherme and João Fernando Ramos 3. Speech therapist seminar on the care of the voice 4. Free diagnose of the voice Participants A total of 60 participants .
11. Lã, F.M.B.. Singing and Piano lecture-recital: “Afternoons at the Museum”,2012 (Concerto).
12. Lã, F.M.B.. Celebrating the voice whith creativity - "World-Voice Day",2011 (Outro).
Invited Participants Singing students of the Aveiro University Participants A total of 30 participants .
13. Lã, F.M.B.. Singing Master-Class and Singer’s Studio: The singer's studio,2011 (Oficina).
Invited Singing Teacher Håkan Hagegård, Oslow Academy of Music, Norway Participants 10 high education level students (licentiate and master’s) in singing .
14. Lã, F.M.B.. Non-Classical Singing: How to sing non-classical styles,2011 (Oficina).
Invited Singing Teacher and Speaker 1. Johan Sundberg, Professor of Acoustics, KTH, Sweden 2. Margareta Thalén, Head of Vocal Sudies, Stockholms Musikpedagogiska Institut, Swedish Music Institute (SMI) Participants 25 singing students from different high and secondary school institutions in Portugal .
15. Lã, F.M.B.; Teixeira, António; Oliveira, Catarina. 2nd International Conference of Voice Science of the University of Aveiro: Different perspective of the singing voice,2010 (Conferência).
Invited Speakers and Workshop Presenters 1. Johan Sundberg, Professor of Acoustics, KTH, Sweden 2. Brian Gill, Singing Teacher, New York University 3. Jorge Matta, Choir Conductor, Coro da Gulbenkian 4. Carolina Perez, Logopaed, Consejo General de Investigaciones Científicas de Madrid 5. David Howard, Professor of Electronics, Head of Department of Electronics, York University, UK 6. Filipa Lã, Assistant Professor in Music, Department of Communication and Arts, University of Aveiro 7. Tiago Outeiro, Faculty of Medicine, University of Lisbon 8. Mafalda Andrea, Hospital of Santa Maria, Lisbon 9. Ana Leonor Pereira, Gregorian Institute of Music, Lisbon 10. Pedro Felix, INET-MD, Lisbon 11. Virgilio Melo, Department of Communication and Arts, University of Aveiro 12. João Lourenço, CESEM, Lisbon Participants – a total of 75 participants, mainly singing teachers and singing student.
16. Lã, F.M.B.. 4th Symposium of the Portuguese Performing Arts Medicine,2010 (Simpósio).
Invited Speakers 1. Afonso Pinhão Ferreira, Faculty of Dentistry, University of Porto 2. Aníbal Ferreira, Faculty of Engineering, University of Porto 3. António Mega Ferreira, President of the Foundation of Centro Cultural de Belém 4. Beatriz Carveiro Lopes, Hospital Garcial da Horta, Almada 5. Carlos Miranda, Hospital of Porto 6. Catarina Aguiar Branco, Hospital São Sebastião 7. Cesário Costa, Metropolitan Lisbon Orchestra 8. Daniela Coimbra, Superior School of Music and Arts of Porto 9. Fátima Marques Pereira, DGArts 10. Filipa Lã, Department of Communication and Arts, University of Aveiro 11. Filipe Pinto Ribeiro, Catholic Portuguese University 12. Francisco Cardoso, Superior School of Music, Lisbon 13. Helena Rodrigues, New University of Lisbon 14. Inês Pinto, Hospital Dona Estefânia, Lisbon 15. Joaquim Gabriel Mendes, Faculty of Engineering, Porto University 16. João Carlos Pinto, Faculty of Dentistry, University of Porto 17. João Mota da Costa, CUF Hospital 18. José Luis Ferreira, Superior School of Music, Lisbon 19. José Fragata, Hospital Santa Maria, Lisbon 20. José Manuel Amarante, Faculty of Medicine, University of Porto 21. José Manuel Janeiro, Deputy Rector of University of Porto 22. Katia Guerreiro, Fado singer 23. Luis Madureira, Superior School of Music, Lisbon 24. Luis de Oliveira, Faculty of Medicine, University of Coimbra 25. Luis Xarez, Technical University of Lisbon 26. Luísa Tender, IPBC 27. Manuel Esteves, Faculty of Medicine, University of Porto 28. Maria João Gomes Fernandes, Faculty of Medical Sciences, New University of Lisbon 29. Mário Vasconselos, Faculty of Dentistry, University of Porto 30. Massimo Mazzeo, Divino Suspiro Orchestra 31. Miguel Coelho, CCB 32. Miguel Pais Clemente, Faculty of Dentistry, University of Porto 33. Pedro Carneiro, Portuguese Chamber Orchestra 34. Paulo Maria Rodrigues, Department of Communication and Arts, University of Aveiro 35. Otávio Inácio, Superior School of Music and Arts of Porto ...
17. Lã, F.M.B.. “Don Giovanni”, by W. A. Mozart, a production by OperaNorth-Portugal,2010 (Concerto / Organização).
18. Lã, F.M.B.. 1st International Conference on Voice Science of the University of Aveiro,2009 (Conferência).
Invited Speakers and Workshop Presenters 1. Johan Sundberg, Professor of Acoustics, Speech, Hearing and Music Department, KTH, Stockholm, Sweden Participants – a total of 140 participants.
19. Lã, F.M.B.. “Amor de Perdição” by João Arroyo, a production by OperaNorth,2009 (Concerto / Organização).
20. Lã, F.M.B.. 2nd Symposium of the Portuguese Performing Arts Medicine & 1st National Course on Musicians’ Health and Well-Being,2008 (Simpósio).
Participants Approximately 40 musicians, students and professionals.
21. Lã, F.M.B.. Performed II - "The Psycho-Physiological View of the Music Performer",2006 (Conferência).
Invited Speakers and Workshop Presenters 1. Graham Welch, Professor of Psychology of Music, Institute of Education, London University Participants – a total of 25 Master students.



Apresentação de obra artística
Artistical work presentation
1. Lã, F.M.B.. Singing Recital, Music from the XX Century, Biblioteca Joanina Universidade de Coimbra,2015 (Musical).
2. Lã, F.M.B.. "La voix humaine", F. Poulenc,2014 (Musical).
3. Lã, F.M.B.. Portuguese and Brazilian Music from the 20th Century,2014 (Musical).
4. Lã, F.M.B.. Portuguese and Brazilian Music from the 20th Century,2014 (Musical).
5. Lã, F.M.B.. Miserere Mei, by Branco, Stark,2014 (Musical).
6. Lã, F.M.B.. Lundus and Modinhas Luso-Brasileiras,2014 (Musical).
7. Lã, F.M.B.. Lundus and Modinhas Luso-Brasileiras,2014 (Musical).
8. Lã, F.M.B.. Lundus and Modinhas Luso-Brasileiras,2011 (Musical).
9. Lã, F.M.B.. Repertoire of Modest Mussorgsky, Eurico Carrapatoso, António Pinho Vargas e Manuel de Falla,2011 (Musical).
10. Lã, F.M.B.. Repertoire of Modest Mussorgsky, Eurico Carrapatoso, António Pinho Vargas e Manuel de Falla,2011 (Musical).
11. Lã, F.M.B.. Repertoire of Modest Mussorgsky, Eurico Carrapatoso, António Pinho Vargas e Manuel de Falla,2011 (Musical).
12. Lã, F.M.B.. Repertoire of Modest Mussorgsky, Eurico Carrapatoso, António Pinho Vargas e Manuel de Falla,2011 (Musical).
13. Lã, F.M.B.. Cantate Domino” by Monteverdi e “Es steh’ Gott auf, das seine Feinde zerstreuet werden SWV 356” by Schütz,2010 (Musical).
14. Lã, F.M.B.. Recital with Pianoforte: Repertoire from Mozart, Haydn, Schubert,2009 (Musical).
15. Lã, F.M.B.. Singing and Piano Recital,2009 (Musical).
16. Lã, F.M.B.. Opera Producer - “Amor de Perdição” by João Arroyo,2009 (Musical).
Opera Producer - “Amor de Perdição” by João Arroyo, a production by OperaNorth, Funded by the Portuguese Ministry of Culture.
17. Lã, F.M.B.. Opera: Leading role “Isabel” in the Opera “A Floresta” by the Portuguese composer Eurico Carrapatoso, with the Orchestra of EPABI,2007 (Musical).
18. Lã, F.M.B.. Opera: Leading role “Isabel” in the Opera “A Floresta” by the Portuguese composer Eurico Carrapatoso, with the Orchestra of EPABI,2007 (Musical).
19. Lã, F.M.B.. Opera: Leading role “Isabel” in the Opera “A Floresta” by the Portuguese composer Eurico Carrapatoso, with the Orchestra of EPABI,2007 (Musical).
20. Lã, F.M.B.. “Bachianas Brasileiras” by Villa Lobos, with Symphonic Band, in the first Estágio de Bandas Sinfónicas da Covilhã,2006 (Musical).
21. Lã, F.M.B.. “Cantate Domino” by Monteverdi and “Es steh’ Gott auf, das seine Feinde zerstreuet werden SWV 356” by Schütz, with the Baroque Orchestra of the Music Department of the University of Western Australia (UWA),2006 (Musical).
22. Lã, F.M.B.. Singing Recital,2005 (Musical).
23. Lã, F.M.B.. “Cantate Domino” by Monteverdi and “Es steh’ Gott auf, das seine Feinde zerstreuet werden SWV 356” by Schütz, with the Baroque Orchestra from the Music Department of the University of Sheffield, directed by Andrew Laurence-King,,2005 (Musical).
24. Lã, F.M.B.. Singing Recital of Russian repertoire,2005 (Musical).
25. Lã, F.M.B.. Singing Recital,2005 (Musical).
26. Lã, F.M.B.. Concert with the Philharmonic Orchestra of Beiras,2004 (Musical).
27. Lã, F.M.B.. Singing Recital,2004 (Musical).
28. Lã, F.M.B.. Concert with the Philharmonic Orchestra of Beiras,2004 (Musical).
29. Lã, F.M.B.. Leading role in the Opera: “La Púrpura de la Rosa” by Torrejón y Velasco. Directed by Andrew Laurence-King,2004 (Musical).
30. Lã, F.M.B.. Leading role in the Opera: “La Púrpura de la Rosa” by Torrejón y Velasco. Directed by Andrew-Laurence King,2003 (Musical).
31. Lã, F.M.B.. Leading role in the Opera: “La Púrpura de la Rosa” by Torrejón y Velasco. Directed by Andrew-Laurence King,2003 (Musical).
32. Lã, F.M.B.. “Stabat mater” by António Caldara. Orchestra of Sheffield University,2003 (Musical).
33. Lã, F.M.B.. “Stabat Mater” by Pergolesi. Orchestra of Sheffield University,2003 (Musical).
34. Lã, F.M.B.. “Magnificat” by António Caldara. Orchestra of Sheffield University,2003 (Musical).
35. Lã, F.M.B.. Leading role in the Opera: “La Púrpura de la Rosa” by Torrejón y Velasco. Directed by Andrew-Laurence King,2003 (Musical).
36. Lã, F.M.B.. Leading role in the Opera: “La Púrpura de la Rosa” by Torrejón y Velasco. Directed by Andrew-Laurence King,2003 (Musical).
37. Lã, F.M.B.. Leading role in the Opera “Violin and Pear in Line” by Mark Slater,2002 (Musical).
38. Lã, F.M.B.. Singing Recital,2001 (Musical).
39. Lã, F.M.B.. “Magnificat” de Bach. Philharmonic Orchestra of Beiras,2001 (Musical).
40. Lã, F.M.B.. Singing Recital,2001 (Musical).
41. Lã, F.M.B.. Singing Recital,1999 (Musical).
42. Lã, F.M.B.. Singing Recital,1999 (Musical).

Curso de curta duração
Short duration course
1. Lã, F.M.B.. Singing Master Classe,2014 (Aperfeiçoamento).
Participants - 3 singing students at master’s level of education.
2. Lã, F.M.B.. Singing Master Classe,2013 (Aperfeiçoamento).
Participants - 8 singing students at conservatoire and university levels.
3. Lã, F.M.B.. Singing Master Classe,2012 (Aperfeiçoamento).
Participants - 8 singing students at conservatoire and university levels.
4. Lã, F.M.B.. Singing Master Classe,2012 (Aperfeiçoamento).
Participants - 10 singing students at conservatoire level.
5. Lã, F.M.B.. Singing Master Classe,2011 (Aperfeiçoamento).
Participants - 5 singing students at conservatoire and university levels.
6. Lã, F.M.B.. Singing Master Classe,2010 (Aperfeiçoamento).
Participants - 10 singing students at conservatoire level.
7. Lã, F.M.B.. Singing Master Classe,2010 (Aperfeiçoamento).
Participants - 2 singing students at university level.





Dados Complementares (Additional data)


Orientações
Orientations


Tese de Doutoramento
Phd Thesis
Concluídas
Completed
1. Fiammetta Facchini, Anxiety in Violin-Piano Duo Performance, 2014. Tese (Música) - Universidade de Aveiro (Co-orientador).
Em curso
Ongoing
1. Pedro Barreiros, Developing an algorithm for learning to enhance synchronization and intonation in jazz performance ensemble, 2012. Tese (Música) - Universidade de Aveiro (Orientador).
2. Gilvano Dalagna, Mental Representation as the Desired Artistic Outcome: developing an artistic incubator, 2011. Tese (Música) - Universidade de Aveiro (Co-orientador).
3. Pedro André Araújo, North Minho Traditional Singing: aerodynamic, physiological and acoustical study, 2010. Tese (Música) - Universidade de Aveiro, Bolseiro(a) de Fundação para a Ciência e a Tecnologia (Co-orientador).


Dissertação de Mestrado
Master degree dissertation
Concluídas
Completed
1. João Carneiro, Musculoskeletal problems in guitarist: didactics of prevention, 2014. Dissertação (Música) - Universidade de Aveiro (Orientador).
2. Joana Ferreira, Physiology of phonation as a guideline for an informed practice, 2014. Dissertação (Música) - Universidade de Aveiro (Orientador).
3. Joana Côrte-Real, Understanding the impacts of performance related pain in career choice of piano music students, 2014. Dissertação (Música) - Universidade de Aveiro (Orientador).
joint supervision with Alberto Canelas Pais, University of Coimbra.
4. Liliana Aparicio, Postural characteristics of accordion students, 2014. Dissertação (Música) - Universidade de Aveiro (Co-orientador).
joint supervision with Anabela Silva, ESSUA.
5. Luisa Maria dos Santos Ribeiro Barriga, Investigating strategies used to select singing repertoire: reflexions on the Portuguese teaching system at public Conservatoires (Aferição de Repertório de Canto: Reflexões para o ensino em Portugal), 2013. Dissertação (Música) - Universidade de Aveiro (Orientador).
6. Mariana Andrade Pimenta, Orofacial problems in singers: preventive teaching and practice strategies (Disfunção temporomandibular em cantores líricos: práticas pedagógias saudáveis), 2013. Dissertação (Música) - Universidade de Aveiro (Orientador).
7. Susana Raquel Azevedo Lima, The impacts of an ergonomic chair in cello playing (A Cadeira Ergonómica na Prática e Ensino do Violoncelo), 2012. Dissertação (Música) - Universidade de Aveiro (Co-orientador).
8. Hugo Leandro Vidal Ribeiro, Developing an audio tool to promote auto regulation and motivation in learning the Oboe (Implementação de uma ferramenta pedagógica na iniciação ao oboe), 2012. Dissertação (Música) - Universidade de Aveiro (Orientador).
9. Sara Arrais de Castro e Barros, Temporomandibular disfunction in string instrumentalist students: disclosing the risk factors in secondary education (Disfunção Temporomandibular em estudantes de violin e de viola d’arco), 2012. Dissertação (Música) - Universidade de Aveiro (Co-orientador).
10. Sara Luísa Duarte e Claúdio, Tridimentional model for soprano voice sub-classification (Modelo tripartido para a subclassificação vocal de sopranos), 2012. Dissertação (Música) - Universidade de Aveiro (Orientador).
11. Elitza Mladenova Pavão, Organizing studying sessions: implications on motivation (Estudo auto-regulado: efeitos na motivação e aprendizagem dos alunos) , 2011. Dissertação (Música) - Universidade de Aveiro (Orientador).
12. Ziliane Teixeira, Functional and Postural modifications in the back and shoulder of flutists” (Alteração Funcional/ Dor na Cervical e Cintura Escapular de Flautistas), 2011. Dissertação (Música) - Universidade de Aveiro (Co-orientador).
13. Marlene Ferreira Tavares, Effects of warming-up on Choir Singing (Prática de Exercícios de Aquecimento: Efeitos no desempenho vocal), 2011. Dissertação (Música) - Universidade de Aveiro (Orientador).
14. Lúcia Lima, Investigating Muscular-Skeletal Problems amongst University Music Students (Lesões por esforço repetitive em instrumentistas de cordas friccionadas), 2010. Dissertação (Música) - Universidade de Aveiro (Co-orientador).
Em curso
Ongoing
1. Joana Costa, Effects of Vocal Technique on choir singing, 2012. Dissertação (Música) - Universidade de Aveiro (Orientador).
2. Ana Margarida Hipólito, Systematic respiratory training and impacts on different styles of repertoire, 2012. Dissertação (Música) - Universidade de Aveiro (Co-orientador).
3. David Dias, Building an academic curricula to teach non-classical singing styles in high level education, 2012. Dissertação (Música) - Universidade de Aveiro (Orientador).
4. Agostinha Jacinto, Healthy practices and performance optimization strategies for violin young students, 2012. Dissertação (Música) - Universidade de Aveiro (Co-orientador).
5. Pedro Baptista, The impacts of flow-ball phonation on vocal efficiency in high education students, 2012. Dissertação (Música) - Universidade de Aveiro (Orientador).
6. Nuno Silva, The use of Ipad applications in teaching instrumental students, 2011. Dissertação (Música) - Universidade de Aveiro (Orientador).
7. Miguel Rodrigues, Impacts of using technology in teaching young singing students, 2011. Dissertação (Música) - Universidade de Aveiro (Orientador).


Participação no júri de Graus Académicos
Academic Degrees jury participation


Doutoramento
Phd
1. Lã, F.M.B.. Participação no júri de Tânia Sofia Gomes Valente. The Portuguese Language in Classical Singing: a study of the relationship between technique and phonetics (A Língua Portuguesa no Canto Lírico: um estudo de relações entre técnica vocal e fonética articulatória), 2014. Tese (Música) - Universidade de Évora.
2. Lã, F.M.B.. Participação no júri de Gillyanne Kayes. How does genre shape the vocal behaviour of female singers? Empirical studies of professional female singing in Western Lyric and Contemporary Commercial Music Genres, 2013. Tese (Música) - University of London.
3. Lã, F.M.B.. Participação no júri de João Pedro Lopes Reigado. Vocal development in infancy: acoustic analysis of infant vocalisations (Desenvolvimento vocal na infância: análise acústica de vocalizações de bebés face a estímulos musicais e linguísticos durante o segundo ano de vida), 2012. Tese (Música) - Universidade Nova de Lisboa.
4. Lã, F.M.B.. Participação no júri de Ana Cristina Pereira Sacramento. Cross-Over Techniques between classical and music theatre singing (Técnica de Canto Lírico e de Teatro Musical – Práticas de Crossover), 2009. Tese (Música) - Universidade de Aveiro.


Mestrado
Master degree
1. Lã, F.M.B.. Participação no júri de Alberto Costa. Teaching Guitar to Blind Students, 2013.  Dissertação (Música) - Universidade de Aveiro.
2. Lã, F.M.B.. Participação no júri de Heder Dias. Ergonomic Tools for the Guitar, 2013.  Dissertação (Música) - Universidade de Aveiro.
3. Lã, F.M.B.. Participação no júri de Osvaldo Samuel da Silva Fernandes. From Creation to Performance: Teaching Children’s Choir in Esposende, 2012.  Dissertação (Música) - Universidade de Aveiro.
4. Lã, F.M.B.. Participação no júri de António Gil Alves Ferreira. Teaching the Guitar through video call, 2012.  Dissertação (Música) - Universidade de Aveiro.
5. Lã, F.M.B.. Participação no júri de Joana Valente. Breathing techniques in teaching of singing, 2011.  Dissertação (Música) - Universidade de Aveiro.
6. Lã, F.M.B.. Participação no júri de Tiago António Nunes da Costa. Contemporary Music for teaching the Saxofone at Secondary Schools, 2011.  Dissertação (Música) - Universidade de Aveiro.
7. Lã, F.M.B.. Participação no júri de Inês Moz Caldas. The Sonatas Ops. 1 by Mercy and the Second Set of Sonatas by Pepusch, 2011.  Dissertação (Música) - Universidade de Aveiro.
8. Lã, F.M.B.. Participação no júri de Sara Serra Alves Carneiro. The artistic use of the voice in THEMA (OMAGGIO A JOYCE by L. Berio), 2010.  Dissertação (Música) - Universidade Católica do Porto.
9. Lã, F.M.B.. Participação no júri de Agostinho Silva Gomes. Colours applied to the teaching of trumpet to 1st year students, 2010.  Dissertação (Música) - Universidade de Aveiro.
10. Lã, F.M.B.. Participação no júri de Clarissa Gomes Foleto. Fingering Patterns: Teaching the Violin Technique in Higher Education, 2010.  Dissertação (Música) - Universidade de Aveiro.


Participação em eventos
Event participation
Participação como Keynote Speaker
Participation as Keynote Speaker
1. Effects of Hormones on the Voice, 2015 (Conferência).
Nome do evento: Die Stimme im Chorgesang; Nome da Instituição: University of Music Carl Maria von Weber; Cidade do evento: Dresden / Hochschule für Musik Carl Maria von Weber Dresden.
2. MÚSICA E MEDICINA: um requisito na pedagogia preventiva do músico, 2015 (Conferência).
Nome do evento: Saúde Ocupacional de Músicos e Interpretes; Nome da Instituição: Escola Superior de Tecnologia e Saúde do Porto (ESTSP-IPP); Cidade do evento: Vila Nova de Gaia / Auditório 47 da Escola Superior de Tecnologia e Saúde do Porto (ESTSP-IPP).
3. Psychoacoustic Characteristics of Choral Performance and its Relationship with Performance Practices in Amateur Choirs, 2014 (Conferência).
Nome do evento: Music and shared imaginaries: nationalisms, communities, and choral singing; Nome da Instituição: Department of Communication and Arts, University of Aveiro; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, University of Aveiro.
4. The Science and art of singing together: contextualizing singing perceptions and practices, 2014 (Conferência).
Nome do evento: Music and shared imaginaries: nationalisms, communities, and choral singing; Nome da Instituição: Department of Communication and Arts, University of Aveiro; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, University of Aveiro.
5. Voice Source Characteristics: Methods and Discoveries, 2014 (Simpósio).
Nome do evento: 2nd International Symposium; Nome da Instituição: Steinhardt School of Culture, Education and Human Development, New York University (NYU); Cidade do evento: New York, USA / 2nd International Symposium, New York University.
6. The use of Electrolaryngography in the voice studio, 2014 (Workshop).
Nome do evento: 2nd International Voice Symposium; Nome da Instituição: Steinhardt School of Culture Education and Human Development; Cidade do evento: New York, USA / New York University, New York.
7. Documenting the voice: measurements of Phonation and Collision Threshold Pressures, 2014 (Workshop).
Nome do evento: 1st Continuing Education Course: The Voice: Art and Science; Nome da Instituição: Steinhardt School of Culture Education and Human Development; Cidade do evento: New York, USA / New York University, New York.
8. The Flow Ball: Visual Feedback While Using a Semi-occluded Vocal Tract Gesture, 2014 (Workshop).
Nome do evento: 43rd Annual Symposium: Care of the Professional Voice; Nome da Instituição: The Voice Foundation; Cidade do evento: Philadelphia, USA / Vocal Academy of Arts, Philadelphia.
9. Semi-occluded vocal tract gestures in voice therapy, 2014 (Workshop).
Nome da Instituição: Voice Research Laboratory, University of Music Carl Maria von Weber; Cidade do evento: Dresden, Germany / Voice Research Laboratory, University of Music Carl Maria von Weber, Dresden.
10. Music…a bridge with vocal science (A música em ponte com… a ciência Vocal), 2014 (Seminário).
Nome da Instituição: Music Conservatoire of Oporto; Cidade do evento: Porto, Portugal / Music Conservatoire of Porto, Porto.
11. The Singing Voice – a diamond with many facets, 2014 (Seminário).
Nome do evento: Voice Research Laboratory; Nome da Instituição: Voice Research Laboratory, University of Music Carl Maria von Weber; Cidade do evento: Dresden, Germany / Voice Research Laboratory, University of Music Carl Maria von Weber, Dresden.
12. Phonatory Characteristics of Fado Singing, 2014 (Conferência).
Nome do evento: ARS Choralis; Nome da Instituição: ARS Choralis; Cidade do evento: Jagrev, Croatia / ARS Choralis, Jagrev.
13. The effects of warm-up exercises on choir singing, 2014 (Conferência).
Nome do evento: ARS Choralis; Nome da Instituição: ARS Choralis; Cidade do evento: Jagrev, Croatia / ARS Choralis, Jagrev.
14. Music Medicine: optimising musical performance through healthy and informed practices, 2014 (Seminário).
Nome da Instituição: Department of Music Education, Palacky University, Olomouc; Cidade do evento: Olomouc, Czech Republic / Department of Music Education, Palacky University, Olomouc.
15. Celebrating the true interdisciplinary nature of the voice - "World-Voice Day", 2013 (Conferência).
Nome do evento: Word-Voice Day; Nome da Instituição: Aveiro University; Cidade do evento: Aveiro, Portugal / Museum of Aveiro.
16. New Approaches to the Teaching and Practice of Singing, 2013 (Conferência).
Nome do evento: 3rd International Conference on Voice Science of the University of Aveiro; Nome da Instituição: University of Aveiro; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, Aveiro University.
17. Preparing the voice for radio” (Preparação da Voz para a Rádio), 2013 (Workshop).
Nome do evento: 2nd Meeting of School Radios and TVs on the Net (II Encontro de Rádios e Televisões Escolares na Net, RTEN2013); Nome da Instituição: 2nd Meeting of School Radios and TVs on the Net (II Encontro de Rádios e Televisões Escolares na Net, RTEN2013); Cidade do evento: Oliveira de Azeméis, Portugal / Escola Secundária Ferreira de Castro, Oliveira de Azeméis.
18. Technology in the Singing Studio, 2013 (Workshop).
Nome do evento: Dresden Singing Voice Symposium – Wagner Sopranos; Nome da Instituição: Hochschule für Musik Carl Maria von Weber; Cidade do evento: Dresden, Germany / Hochschule für Musik Carl Maria von Weber, Dresden.
19. Effects of hormonal variations on the singing voice, 2013 (Seminário).
Nome do evento: Doctoral Programme in Voice, Language and Communication; Nome da Instituição: Faculty of Medicine (in collaboration with the Faculty of Humanities) at the University of Lisbon; Cidade do evento: Lisbon, Portugal / Faculty of Medicine, University of Lisbon, Lisbon.
20. The singing voice – an acoustical instrument, 2013 (Seminário).
Nome da Instituição: Escola Nacional do Conservatório de Música de Lisboa; Cidade do evento: Lisboa, Portugal / Escola Nacional do Conservatório de Música de Lisboa, Lisboa.
21. Electroglottography: clinical applications, 2013 (Simpósio).
Nome do evento: 2nd International Symposium of Voice; Nome da Instituição: 2nd International Symposium of Voice, Vila Nova de Gaia; Cidade do evento: Vila Nova de Gaia, Portugal / 2nd International Symposium of Voice, Vila Nova de Gaia.
22. The effects of oral contraception on the classical singer’s performance, 2013 (Conferência).
Nome do evento: La Voce artistica X Editione; Nome da Instituição: La Voce artistica X Editione; Cidade do evento: Ravenna, Italy / La Voce artistica X Editione, Ravenna.
23 The Choral Voice - "World-Voice Day", 2012 (Mesa-Redonda).
Nome do evento: The Choral Voice - "World-Voice Day"; Nome da Instituição: Aveiro University; Cidade do evento: Aveiro, Portugal / Museum of Aveiro.
Invited Participants 1. Choir groups of Aveiro 2. Round table discussing the Professional Voice in Theatre, TV, Opera and Radio with José Geraldo, Carlos Guilherme and João Fernando Ramos 3. Speech therapist seminar on the care of the voice 4. Free diagnose of the voice Participants A total of 60 participants.
24. Objective Measures of Voice - Subglottal pressures and Source-filter interaction, 2012 (Simpósio).
Nome do evento: 1st International Symposium on Voice; Nome da Instituição: New York University; Cidade do evento: New York, USA / Steinhardt School of Culture, Education and Human Development, New York University.
25. The electrolaryngograph & glottal enterprises hybrid system: applications on measuring phonation and collision threshold pressures, 2012 (Workshop).
Nome do evento: International Voice Symposium: Subglottal Pressure Measurement and Source-Filter Interaction: Two Current Issues in Voice Research; Nome da Instituição: New York University; Cidade do evento: New York, USA / New York University, New York.
26. Teaching Singing and Technology, 2012 (Workshop).
Nome da Instituição: Voice Research Laboratory; Cidade do evento: Dresden, Germany / Voice Research Laboratory. University of Music Carl Maria von Weber, Dresden.
27. Electrolaryngography, 2012 (Workshop).
Nome da Instituição: University of Music Carl Maria von Weber; Cidade do evento: Dresden, Germany / University of Music Carl Maria von Weber, Dresden.
28. Semi-Occluded Vocal Tract Gestures, 2012 (Workshop).
Nome da Instituição: University of Music Carl Maria von Weber; Cidade do evento: Dresden, Germany / University of Music Carl Maria von Weber, Dresden.
29. New approaches to Teaching Singing, 2012 (Workshop).
Nome da Instituição: University of Music Carl Maria von Weber; Cidade do evento: Dresden, Germany / University of Music Carl Maria von Weber, Dresden.
30. The singing voice: rediscovering a diamond with many facets, 2012 (Conferência).
Nome do evento: Plenary Session. VIII Latin-American Acoustics Conference; Nome da Instituição: VIII Latin-American Acoustics Conference; Cidade do evento: Évora, Portugal / VIII Latin-American Acoustics Conference, Évora.
31. Out-of-tune formants, 2012 (Simpósio).
Nome do evento: INTERNATIONAL VOICE SYMPOSIUM: Subglottal Pressure Measurement and Source-Filter Interaction - two current issues in voice research; Nome da Instituição: INTERNATIONAL VOICE SYMPOSIUM: New York University; Cidade do evento: New York, USA / New York University, New York.
32. The electrolaryngograph & glottal enterprises hybrid system: applications on measuring phonation and collision threshold pressures, 2012 (Simpósio).
Nome do evento: International Voice Symposium: Subglottal Pressure Measurement and Source-Filter Interaction: Two Current Issues in Voice Research; Nome da Instituição: International Voice Symposium; Cidade do evento: New York, USA / International Voice Symposium, New York University, New York.
33. Teaching singing and Technology, 2012 (Congresso).
Nome do evento: XXIV Jahreskongresses des BDG und des EUROVOX Kongresses; Nome da Instituição: XXIV Jahreskongresses des BDG und des EUROVOX Kongresses; Cidade do evento: Munich, Deutschland / XXIV Jahreskongresses des BDG und des EUROVOX Kongresses, Munich.
34 Colours of (young) European Voices, 2012 (Mesa-Redonda).
Nome do evento: EUROPA CANTAT MEETING; Nome da Instituição: EUROPA CANTAT MEETING, Toulouse; Cidade do evento: Toulouse, France / EUROPA CANTAT MEETING, Toulouse.
35. Hormones and the singing voice, 2012 (Seminário).
Nome da Instituição: Royal Conservatoire of Scotland, Glasgow; Cidade do evento: Glasgow, UK / Royal Conservatoire of Scotland, Glasgow.
36. Musician’s Medicine, 2012 (Seminário).
Nome da Instituição: Royal Conservatoire of Scotland, Glasgow; Cidade do evento: Glasgow UK / Royal Conservatoire of Scotland, Glasgow.
37. Closed Quotient and Contact Quotient: a multi-comparison study, 2012 (Seminário).
Nome da Instituição: Department of Music, Speech and Hearing KTH, Stockholm; Cidade do evento: Stockholm, Sweden / Department of Music, Speech and Hearing KTH, Stockholm.
38. The singer’s studio - “Singing Master-Class and Singer’s Studio”, 2011 (Conferência).
Nome do evento: Singing Master-Class and Singer’s Studio; Nome da Instituição: Aveiro University; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, Aveiro University.
39. How to sing non-classical styles - "Non-Classical Singing", 2011 (Workshop).
Nome do evento: Non-Classical Singing; Nome da Instituição: Aveiro University; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, Aveiro University.
40. Voice and Gender, 2011 (Conferência).
Nome do evento: What voice unveils: Human voice beyond phonetics; Nome da Instituição: Universidad Internacional Menêndez Pelayo, Santander; Cidade do evento: Santander, Spain / Universidad Internacional Menêndez Pelayo, Santander, Spain.
41. New Technologies applied to teaching singing, 2011 (Seminário).
Nome da Instituição: Ohio State University, Columbus, Ohio; Cidade do evento: Columbus, Ohio. USA / Ohio State University, Columbus, Ohio.
42. The effects of hormones on singer’s performance, 2011 (Seminário).
Nome da Instituição: Ohio State University, Columbus, Ohio; Cidade do evento: Columbus, Ohio. USA / Ohio State University, Columbus, Ohio.
43. 4th Symposium of the Portuguese Performing Arts Medicine, 2010 (Simpósio).
Nome do evento: 4th Symposium of the Portuguese Performing Arts Medicine; Nome da Instituição: Portuguese Association for Performing Arts Medicine (APMAE); Cidade do evento: Lisbon, Portugal / Centro Cultural de Belém, Lisbon.
44. Different perspective of the singing voice, 2010 (Conferência).
Nome do evento: 2nd International Conference of Voice Science of the University of Aveiro; Nome da Instituição: Aveiro University; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts & IEETA, Aveiro University.
45. Real time feedback display in teaching classical singing: applicability, 2010 (Encontro).
Nome do evento: 12º Encontro de Engenharia Audio da AES – Portugal; Nome da Instituição: AES – Portugal; Cidade do evento: Aveiro, Portugal / 12º Encontro de Engenharia Audio da AES – Portugal. Aveiro.
46. Audio signal and its relation with voice analysis, 2010 (Conferência).
Nome do evento: 30th Meeting of the Portuguese Association of Acoustics; Nome da Instituição: Portuguese Association of Acoustics, ESMAE-IPP; Cidade do evento: Porto, Portugal / 30th Meeting of the Portuguese Association of Acoustics, ESMAE-IPP, Porto.
47. Perceptual Evaluations of Voices, 2010 (Seminário).
Nome da Instituição: Steinhardt School of Culture, Education and Human Development, New York University; Cidade do evento: New York, USA / Steinhardt School of Culture, Education and Human Development, New York University.
48. Effects of Sex steroid Hormones on the singing performance, 2010 (Seminário).
Nome da Instituição: Steinhardt School of Culture, Education and Human Development, New York University; Cidade do evento: New York University, USA / Steinhardt School of Culture, Education and Human Development, New York University.
49. Voice Science in Retrospective, 2009 (Conferência).
Nome do evento: 1st International Conference on Voice Science of the University of Aveiro; Nome da Instituição: University of Aveiro; Cidade do evento: Aveiro, Portugal / University of Aveiro.
50. The effects of hormonal variations in singer’s performance, 2009 (Seminário).
Nome da Instituição: Music Department, University of Texas. San Antonio, Texas; Cidade do evento: Texas, USA / Music Department, University of Texas. San Antonio, Texas.
51. 2nd Symposium of the Portuguese Performing Arts Medicine & 1st National Course on Musicians’ Health and Well-Being, 2008 (Simpósio).
Nome do evento: 2nd Symposium of the Portuguese Performing Arts Medicine & 1st National Course on Musicians’ Health and Well-Being; Nome da Instituição: Department of Communication and Arts, Aveiro University; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, Aveiro University.
52. Endocrinology of the voice, 2008 (Seminário).
Nome da Instituição: Faculty of Nursing of the Polytechnic University, Viana do Castelo; Cidade do evento: Viana do Castelo, Portugal / Faculty of Nursing of the Polytechnic University, Viana do Castelo.
53. The Musical Mind, 2008 (Congresso).
Nome do evento: VI Internacional Fórum of Portuguese Researchers (FIIP) – Brain, Life and Culture; Nome da Instituição: VI Internacional Fórum of Portuguese Researchers (FIIP) – Brain, Life and Culture, Institute of Molecular Medicine; Cidade do evento: Lisbon, Portugal / VI Internacional Fórum of Portuguese Researchers (FIIP) – Brain, Life and Culture, Institute of Molecular Medicine, Lisbon.
54. Vocal technique for choir members: optimising your singing abilities, 2007 (Seminário).
Nome da Instituição: Music Conservatoire, Covilhã; Cidade do evento: Covilhã, Portugal / Music Conservatoire, Covilhã.
55. The Psycho-Physiological View of the Music Performer, 2006 (Conferência).
Nome do evento: Performed II; Nome da Instituição: University of Aveiro; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, University of Aveiro.
56. Investigating the effects of a combined oral contraceptive pill on the professional singing voice, 2006 (Seminário).
Nome da Instituição: Human Communication Sciences Department, University of Sheffield; Cidade do evento: Sheffield, U.K. / Human Communication Sciences Department, University of Sheffield. Sheffield.
57. The Effects of the Menstrual Cycle and the Oral Contraceptive Pill on Female Operatic Voices, 2005 (Seminário).
Nome da Instituição: London Institute of Education, London; Cidade do evento: London, U.K. / London Institute of Education, London.
58. Sexual Hormones: do they influence vocal performance of western classical singers?, 2005 (Seminário).
Nome da Instituição: Music Conservatoire of Coimbra; Cidade do evento: Coimbra, Portugal / Music Conservatoire of Coimbra, Coimbra.
59. The Influence of Sexual Hormones on the Western Classical Singing Voice, 2004 (Seminário).
Nome da Instituição: Royal Northern College of Music, Manchester; Cidade do evento: Manchester, UK / Royal Northern College of Music, Manchester.
60. The Influence of Sexual Hormones on the Western Classical Singing Voice, 2004 (Seminário).
Nome da Instituição: Guildhall School of Music and Drama, London; Cidade do evento: London, U.K. / Guildhall School of Music and Drama, London.
61. Vocal Science, 2004 (Seminário).
Nome da Instituição: Music Conservatoire Calouste Gulbenkian of Aveiro; Cidade do evento: Aveiro, Portugal / Music Conservatoire Calouste Gulbenkian of Aveiro, Aveiro.
62. The Effects of Steroid Hormones on Voice Quality, 2004 (Seminário).
Nome da Instituição: S. João Hospital, Obstetrics and Gynaecology Department, Porto; Cidade do evento: Porto, Portugal / S. João Hospital, Obstetrics and Gynaecology Department, Porto.

Participação como Membro da Comissão Científica
Participation as Member of the Program Committee
1. Psychoacoustic Characteristics of Choral Performance and its Relationship with Performance Practices in Amateur Choirs, 2014 (Conferência).
Nome do evento: Music and shared imaginaries: nationalisms, communities, and choral singing; Nome da Instituição: Department of Communication and Arts, University of Aveiro; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, University of Aveiro.
2. The Science and art of singing together: contextualizing singing perceptions and practices, 2014 (Conferência).
Nome do evento: Music and shared imaginaries: nationalisms, communities, and choral singing; Nome da Instituição: Department of Communication and Arts, University of Aveiro; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, University of Aveiro.
3. 2nd International Voice Symposium, NYU, 2014, 2014 (Simpósio).
Nome do evento: 2nd International Voice Symposium, NYU, 2014; Nome da Instituição: NYU Steinhardt; Cidade do evento: New York, USA / NYU Steinhardt, New York.
2nd International Voice Symposium, NYU, 2014: Voice Source Characteristics: Methods and Discoveries.
4. Pan-European Voice Conference (PEVOC), 2014 (Conferência).
Nome do evento: Pan-European Voice Conference (PEVOC).
PEVOC is an International conference on voice held over other 2 years at different European cities, embracing themes of Voice Health., Science and Pedagogy (both singing and speech).
5. Celebrating the true interdisciplinary nature of the voice - "World-Voice Day", 2013 (Conferência).
Nome do evento: Celebrating the true interdisciplinary nature of the voice; Nome da Instituição: Aveiro University; Cidade do evento: Aveiro, Portugal / Museum of Aveiro.
Invited Participants 1. António Teixeira (Engineer), IEETA, University of Aveiro 2. Luis Jesus (Engineer), Superior School of Heath, University of Aveiro 3. Jorges Castro Ribeiro (Musicologist), Department of Communication and Arts, University of Aveiro 4. Helena Caspurro (Singer), Department of Communication and Arts, University of Aveiro 5. Paulo Vas de Carvalho (Guitar player), Department of Communication and Arts, University of Aveiro 6. Jorge Patricio (Engineer), President of the Portuguese Society of Acoustics 7. Carlos Faiol, Portuguese Society of Acoustics 8. André Araújo (voice therapist), ESTSP – Polytechnic Institute of Porto 9. Carlos Fragateiro (stage director), Department of Communication and Arts, University of Aveiro 10. Maria José Loureiro (education), Department of Education, University of Aveiro 11. Maria do Rosário Pestana (ethnomusicologist), Department of Communication and Arts, University of Aveiro 12. Teresa Albuquerque, Junior Academy 13. Mário Andrea, ORL, Santa Maria Hospital 14. Maria do Céu Santos (physiotherapist) 15. Miguel Bastos (Radio presenter) – Radio Moliceiro 16. Cantadeiras do Vale do Neiva (ethnographic group from the North of Portgual) 17. Vozes de Manhouce (ethnographic group from the Center part of Portugal) 18. Isabel Silvestre, soloist of Vozes de Manhouce 19. Alexandrino Matos, coach of Vozes de Manhouce 20. Nuno Silva, Fado Singer from Coimbra 21. Ricardo Dias, Portuguese Guitar Player of Fado from Coimbra 22. Paulo Larguesa, Guitar Player of Fado from Coimbra 23. Filipa Lã (Singer and the presenter of the event), Department of Communication and Arts, University of Aveiro 24. Choir: Voz Nua – First premier of the choir song “Cessa o teu Canto”, by Francisco Monteiro, a composition special for this day. Participants Approximately a total of 80 participants during the whole day.
6. 3rd International Conference on Voice Science of the University of Aveiro, 2013 (Conferência).
Nome do evento: 3rd International Conference on Voice Science of the University of Aveiro; Nome da Instituição: University of Aveiro; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, Aveiro University.
7. 15th ICPLA Conference, 2013 (Conferência).
Nome do evento: 15th ICPLA Conference; Nome da Instituição: International Clinical Phonetics and Linguistics Association (ICPLA); Cidade do evento: Stockholm, Sweden.
15th ICPLA Conference, Stockholm, Sweden, 2013: International Clinical Phonetics and Linguistics Association.
8. Spectrography applied to teaching singing, 2013 (Seminário).
Nome do evento: European Voice Teachers Association (EVTA) Continuum Education Programme; Nome da Instituição: Prague Music Conservatoire; Cidade do evento: Prague. Czech Republic / Prague Music Conservatoire.
9. Effects of hormonal variations on the singing voice, 2013 (Seminário).
Nome do evento: Doctoral Programme in Voice, Language and Communication; Nome da Instituição: Faculty of Medicine (in collaboration with the Faculty of Humanities) at the University of Lisbon; Cidade do evento: Lisbon / Faculty of Medicine, University of Lisbon.
10. The singing voice – an acoustical instrument, 2013 (Seminário).
Nome da Instituição: Escola Nacional do Conservatório de Música de Lisboa; Cidade do evento: Lisboa, Portugal / Escola Nacional do Conservatório de Música de Lisboa.
11 The Choral Voice - "World-Voice Day", 2012 (Mesa-Redonda).
Nome do evento: The Choral Voice - "World-Voice Day"; Nome da Instituição: Aveiro University; Cidade do evento: Aveiro, Portugal / Museum of Aveiro.
12. 1st International Voice Symposium, NYU, 2012, 2012 (Simpósio).
Nome do evento: 1st International Voice Symposium, NYU, 2012; Nome da Instituição: NYU Steinhardt - New York University; Cidade do evento: New York, USA / New York University, New York.
1nd International Voice Symposium, NYU, 2012: Subglottal pressures and Source-filter interaction.
13. The complexity of teaching singing: a multimodal approach in voice science and pedagogy, 2012 (Seminário).
Nome da Instituição: Karlovac Music School, Karlovac; Cidade do evento: Karlovac, Croatia / Karlovac Music School, Karlovac.
14. The singer’s studio - “Singing Master-Class and Singer’s Studio”, 2011 (Conferência).
Nome do evento: The singer’s studio - “Singing Master-Class and Singer’s Studio”; Nome da Instituição: Aveiro University; Cidade do evento: Aveiro, Portugal / Reitoria, Aveiro University.
Invited Singing Teacher Håkan Hagegård, Oslow Academy of Music, Norway Participants 10 high education level students (licentiate and master’s) in singing.
15. How to sing non-classical styles - "Non-Classical Singing", 2011 (Workshop).
Nome do evento: How to sing non-classical styles - "Non-Classical Singing"; Nome da Instituição: Aveiro University; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, Aveiro University.
Invited Singing Teacher and Speaker 1. Johan Sundberg, Professor of Acoustics, KTH, Sweden 2. Margareta Thalén, Head of Vocal Sudies, Stockholms Musikpedagogiska Institut, Swedish Music Institute (SMI) Participants 25 singing students from different high and secondary school institutions in Portugal .
16. 4th Symposium of the Portuguese Performing Arts Medicine, 2010 (Simpósio).
Nome do evento: 4th Symposium of the Portuguese Performing Arts Medicine; Nome da Instituição: Portuguese Association for Performing Arts Medicine (APMAE); Cidade do evento: Lisbon, Portugal / Centro Cultural de Belém, Lisbon.
Invited Speakers 1. Afonso Pinhão Ferreira, Faculty of Dentistry, University of Porto 2. Aníbal Ferreira, Faculty of Engineering, University of Porto 3. António Mega Ferreira, President of the Foundation of Centro Cultural de Belém 4. Beatriz Carveiro Lopes, Hospital Garcial da Horta, Almada 5. Carlos Miranda, Hospital of Porto 6. Catarina Aguiar Branco, Hospital São Sebastião 7. Cesário Costa, Metropolitan Lisbon Orchestra 8. Daniela Coimbra, Superior School of Music and Arts of Porto 9. Fátima Marques Pereira, DGArts 10. Filipa Lã, Department of Communication and Arts, University of Aveiro 11. Filipe Pinto Ribeiro, Catholic Portuguese University 12. Francisco Cardoso, Superior School of Music, Lisbon 13. Helena Rodrigues, New University of Lisbon 14. Inês Pinto, Hospital Dona Estefânia, Lisbon 15. Joaquim Gabriel Mendes, Faculty of Engineering, Porto University 16. João Carlos Pinto, Faculty of Dentistry, University of Porto 17. João Mota da Costa, CUF Hospital 18. José Luis Ferreira, Superior School of Music, Lisbon 19. José Fragata, Hospital Santa Maria, Lisbon 20. José Manuel Amarante, Faculty of Medicine, University of Porto 21. José Manuel Janeiro, Deputy Rector of University of Porto 22. Katia Guerreiro, Fado singer 23. Luis Madureira, Superior School of Music, Lisbon 24. Luis de Oliveira, Faculty of Medicine, University of Coimbra 25. Luis Xarez, Technical University of Lisbon 26. Luísa Tender, IPBC 27. Manuel Esteves, Faculty of Medicine, University of Porto 28. Maria João Gomes Fernandes, Faculty of Medical Sciences, New University of Lisbon 29. Mário Vasconselos, Faculty of Dentistry, University of Porto 30. Massimo Mazzeo, Divino Suspiro Orchestra 31. Miguel Coelho, CCB 32. Miguel Pais Clemente, Faculty of Dentistry, University of Porto 33. Pedro Carneiro, Portuguese Chamber Orchestra 34. Paulo Maria Rodrigues, Department of Communication and Arts, University of Aveiro 35. Otávio Inácio, Superior School of Music and Arts of Porto ...
17. 2nd International Conference of Voice Science of the University of Aveiro, 2010 (Conferência).
Nome do evento: 2nd International Conference of Voice Science of the University of Aveiro; Nome da Instituição: Department of Communication and Arts & IEETA, Aveiro University; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, Aveiro University, Portugal.
2nd International Conference of Voice Science of the University of Aveiro Department of Communication and Arts & IEETA, Aveiro University, Portugal, June 2010: Looking at different perspectives of the singing voice.
18. 1st International Conference on Voice Science of the University of Aveiro, 2009 (Conferência).
Nome do evento: 1st International Conference on Voice Science of the University of Aveiro; Nome da Instituição: Department of Communication and Arts & IEETA, Aveiro University; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts & IEETA, Aveiro University, Aveiro.
1st International Conference on Voice Science of the University of Aveiro Department of Communication and Arts & IEETA, Aveiro University, Portugal January 2009: Voice Science in Retrospective.
19. 2nd Symposium of the Portuguese Performing Arts Medicine & 1st National Course on Musicians’ Health and Well-Being, 2008 (Simpósio).
Nome do evento: 2nd Symposium of the Portuguese Performing Arts Medicine & 1st National Course on Musicians’ Health and Well-Being; Nome da Instituição: Aveiro University; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, Aveiro University.
Participants Approximately 40 musicians, students and professionals.
20. Performed II, 2006 (Conferência).
Nome do evento: Performed II; Nome da Instituição: University of Aveiro; Cidade do evento: Aveiro, Portugal / University of Aveiro, Aveiro.
Performed II, University of Aveiro, Portugal October 2006: The PsychoPhysiological View of the Music Performer.

Participação como Moderador
Participation as Chairman
1 Teaching and Learning Optimizations Strategies, 2013 (Mesa-Redonda).
Nome do evento: 2º Fórum Internacional de Pós-graduação em Estudos de Música e Dança; Nome da Instituição: Department of Communication and Arts, INET-MD, Aveiro; Cidade do evento: Aveiro, Portugal / Department of Communication and Arts, INET-MD, Aveiro.



Participação editorial em revistas
Magazine editorial participation
1. Lã, F.M.B.. Tension in Performance - The International Society for the Study of Tension in Performance, Função ou tipo de participação: Corpo editorial.
Tension in Performance - The International Society for the Study of Tension in Performance ISNN: 2042-6895.

2. Lã, F.M.B.. Journal of Voice, desde 2014/01/01, Função ou tipo de participação: Reviewer, Editora: The Voice Foundation & International Association of Phonosurgery.
Journal of Voice. ISSN: 1401-5439 (print), 1651-2022 (electronic).

3. Lã, F.M.B.. Logopedics Phoniatrics Vocology, desde 2014/01/01, Função ou tipo de participação: Corpo editorial, Editora: Informa Healthcare.
Logopedics Phoniatrics Vocology ISSN: 1401-5439 (print) 1651-2022 (electronic).

4. Lã, F.M.B.. Folia Phoniatrica et Locopedica, de 2012/01/01 até 2012/12/31, Função ou tipo de participação: Reviewer, Editora: KARGER - Medical and Scientific Publishers.







Indicadores de produção (Production indicators)

Total
Produção científica
Scientific production
46

Livros e capítulos
Books and book chapters
4
Capítulos de livros publicados
Published book chapters
4
Artigos científicos em revistas
Papers in periodics
24
Com arbitragem científica
With scientific refereeing
12
Sem arbitragem científica
Without scientific refereeing
12
Trabalhos em eventos
Papers in conference proceedings
15
Com arbitragem científica
With scientific refereeing
2
Sem arbitragem científica
Without scientific refereeing
13
Outros tipos de produção científica
Other scientific production
3

Total
Produção técnica
Technical production
158

Outros tipos de produção técnica
Other technical production
158

Total
Produção artística/cultural
Artistical/cultural production
49


Total
Dados complementares
(Additional data)
127

Orientações
Orientations
26
Participação no Júri de Graus Académicos
Academic Degrees jury participation
14
Participação em Eventos
Event participation
83
Participação editorial em revistas
Magazine editorial participation
4


Visualizações do curriculum [ 2227 ]
 
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Co-Autores Relacionados no DeGóis (5)
 Co-authors listed in Degóis